University of California Press, 23 dec 1985 - 368 pagina's Through conversations held with fifteen of the most accomplished contemporary cinematographers, the authors explore the working world of the person who controls the visual look and style of a film. |
Inhoudsopgave
| 1 | |
| 5 | |
2 John Alonzo | 23 |
3 John Bailey | 47 |
4 Bill Butler | 74 |
5 Michael Chapman | 99 |
6 Bill Fraker | 127 |
7 Conrad Hall | 152 |
10 Vittorio Storaro | 219 |
11 Mario Tosi | 233 |
12 Haskell Wexler | 247 |
13 Billy Williams | 267 |
14 Gordon Willis | 284 |
15 Vilmos Zsigmond | 311 |
Glossary | 339 |
| 345 | |
Veelvoorkomende woorden en zinsdelen
able Academy Award actors American Gigolo angle approach artistic audience background basically better black-and-white Bobby and Rose Boulevard Nights bounce light budget cameraman cinematographer color comes composition create creative crew Days of Heaven deal direct director of photography documentary dolly Easy Rider effect everything experience exposure exteriors feature feel fill light film filmmaking filters fluorescent footcandles frame give Godfather Godfather II going Gordon Willis happens hard Haskell Wexler Hollywood Honky Tonk Freeway idea important knew lens lenses little bit look Marty mean motion picture movie negative never night operator painting Panavision problem producer scene screen script sequence shoot shot someone sometimes sound stage started Steadicam stop story studio style talking tell there's things visual what's window wonderful zoom