Who Owns Native Culture?Harvard University Press, 1 jul 2009 - 336 pagina's The practical and artistic creations of native peoples permeate everyday life in settler nations, from the design elements on our clothing to the plot-lines of books we read to our children. Rarely, however, do native communities benefit materially from this use of their heritage, a situation that drives growing resistance to what some denounce as cultural theft. Who Owns Native Culture? documents the efforts of indigenous peoples to redefine heritage as a proprietary resource. Michael Brown takes readers into settings where native peoples defend what they consider their cultural property: a courtroom in Darwin, Australia, where an Aboriginal artist and a clan leader bring suit against a textile firm that infringes sacred art; archives and museums in the United States, where Indian tribes seek control over early photographs and sound recordings collected in their communities; and the Mexican state of Chiapas, site of a bioprospecting venture whose legitimacy is questioned by native-rights activists. By focusing on the complexity of actual cases, Brown casts light on indigenous claims in diverse fields--religion, art, sacred places, and botanical knowledge. He finds both genuine injustice and, among advocates for native peoples, a troubling tendency to mimic the privatizing logic of major corporations. The author proposes alternative strategies for defending the heritage of vulnerable native communities without blocking the open communication essential to the life of pluralist democracies. Who Owns Native Culture? is a lively, accessible introduction to questions of cultural ownership, group privacy, intellectual property, and the recovery of indigenous identities. |
Inhoudsopgave
11 | |
Cultures and Copyrights | 43 |
Sign Wars | 69 |
Ethnobotany Blues | 95 |
Negotiating Mutual Respect | 144 |
At the Edge of the Indigenous | 173 |
Native Heritage in the Iron Cage | 205 |
Finding Justice in the Global Commons | 229 |
Notes | 255 |
Sources on Indigenous Cultural Rights | 299 |
Acknowledgments | 303 |
307 | |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
Aboriginal Art accessed activists Aguaruna American Indian Anthropology argue artists Australian ayahuasca Biodiversity Biopiracy bioprospecting Brent Berlin Bulun Bulun Chiapas Chumash claims climbers climbing collective commercial copyright law Court critics cultural privacy developed Devils Tower Diane digenous documents drug economic ethical ethnobotany federal global groups Hindmarsh Island Hopi ICBG ICBG-Maya identify identity images indigenous indigenous communities indigenous cultures insist intellectual property Intellectual Property Rights issue Johnny Bulun Journal knowledge land legal scholar Mabo Maya Medicine Wheel ment Mexico museums NAGPRA National Native American Navajo negotiations Ngarrindjeri official petroglyphs pharmaceutical Pitjantjatjara plaintiffs plant Point Conception policies political practices Pueblo RAFI religion religious Richard Evans Schultes ritual sacred sites Shaman share Snuneymuxw social society sovereignty spiritual sun symbol tion tional tive trademark traditional tribal tribes United University Press USPTO Voth Voth's Western Wyoming York Zuni
Populaire passages
Pagina 17 - Indigenous peoples have the right to practise and revitalize their cultural traditions and customs. This includes the right to maintain, protect and develop the past, present and future manifestations of their cultures, such as archaeological and historical sites, artifacts, designs, ceremonies, technologies and visual and performing arts and literature, as well as the right to the restitution of cultural, intellectual, religious and spiritual property taken without their free and informed consent...
Pagina 8 - The lively sense of contingency and possibility, and of those exceptions to the rule which may be the beginning of the end of the rule — this sense does not suit well with the impulse of organization.
Pagina 13 - ... very dry, the crops suffered, and even the Snake dance failed to bring much rain. We tried to discover the reason for our plight, and remembered the Rev. Voth who had stolen so many of our ceremonial secrets and had even carried off sacred images and altars to equip a museum and become a rich man. When he had worked here in my boyhood, the Hopi were afraid of him and dared not lay their hands on him or any other missionary, lest they be jailed by the Whites. During the ceremonies this wicked...