The Ten Commandments of Typograpy/ Type Heresy: Breaking the Ten Commandments of Typography

Voorkant
Merrell, 1 okt. 2006 - 72 pagina's
4 Recensies
A humorous and incisive analysis of the basic tenets of typography and how to turn them on their heads, this book will appeal to the conformist and the non-conformist in everyone -- not just the newcomer to design. One side of this sharp-witted, cleverly designed guide presents the ten main rules, or 'commandments', of type design, addressing such aspects of typographic doctrine as legibility, alignment and capitalization; the other shows how type can successfully subvert these rules, presenting 'sacreligious' visual alternatives. In support of the commandments Felton includes a list of twelve 'disciples', those internationally renowned graphic designers whom he identifies as ruleabiding, including such figures as Eric Gill, Jan Tschichold and Erik Spiekermann. Confronting these are his 'fallen angels', including such experimental typographers as David Carson, Jeffery Keedy, Phil Baines and Jonathan Barnbrook.

Vanuit het boek

Wat mensen zeggen - Een recensie schrijven

Review: The Ten Commandments of Typograpy/ Type Heresy: Breaking the Ten Commandments of Typography

Gebruikersrecensie  - Ellen - Goodreads

This smart little book demonstrates that every rule was made to be broken. And if you are going to break it, doing it in a good font. Volledige recensie lezen

Review: The Ten Commandments of Typograpy/ Type Heresy: Breaking the Ten Commandments of Typography

Gebruikersrecensie  - Walter - Goodreads

A very nerdy type book that demonstrates the use of type, and the rules as they're meant to be kept and broken. It's a gifty little package that's light on content, but a pleasant way to be reminded of how type works... Volledige recensie lezen

Inhoudsopgave

Preface
9
First Commandment
18
Fourth Commandment
24
Copyright

2 andere gedeelten niet weergegeven

Veelvoorkomende woorden en zinsdelen

Over de auteur (2006)

Paul Felton is a graphic designer specializing in typography. In 2005 he won a D&AD Best New Blood Award for this book and for his recent design work.

Bibliografische gegevens