Surrealism and PaintingHarper & Row, 1972 - 415 pagina's |
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Pagina 6
André Breton. JOUR Pablo Picasso : Woman in a Chemise . 1914 . shadow , this third shadow . . . We leave behind us the great grey beige ' scaffoldings ' of 1912 , the most perfect example of which is undoubtedly the fabulously elegant ...
André Breton. JOUR Pablo Picasso : Woman in a Chemise . 1914 . shadow , this third shadow . . . We leave behind us the great grey beige ' scaffoldings ' of 1912 , the most perfect example of which is undoubtedly the fabulously elegant ...
Pagina 111
... shadow and light , relations which should not be conditioned by an arbitrary assumption that the object is at rest an absurd assumption which would have us walk around the object in order to convince ourselves of its existence ...
... shadow and light , relations which should not be conditioned by an arbitrary assumption that the object is at rest an absurd assumption which would have us walk around the object in order to convince ourselves of its existence ...
Pagina 320
André Breton. Maria ( Maria Martins ) : The Path , the Shadow , too Long , too Narrow . 1946. Sculpture . Photo Phases . admired so ... Shadow , too Long , too Narrow shown last July at the International Surrealist Exhibition in Paris . 320.
André Breton. Maria ( Maria Martins ) : The Path , the Shadow , too Long , too Narrow . 1946. Sculpture . Photo Phases . admired so ... Shadow , too Long , too Narrow shown last July at the International Surrealist Exhibition in Paris . 320.
Inhoudsopgave
SURREALISM AND PAINTING | 1 |
ARTISTIC GENESIS AND PERSPECTIVE | 49 |
White rose bunch 1934 | 121 |
Copyright | |
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absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect Bachelors beautiful become bird Bride Stripped century Chirico colour considered Crépin Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact feel figures Formerly coll France Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration Jacques Hérold Joan Miró Kandinsky landscape Lautréamont less light magical Marcel Duchamp Matta Max Ernst Max Walter Svanberg means mental mind mysterious nature never night objects Pablo Picasso painters painting Paris particular perfectly Photo Ségalat picture Pierre plastic possible present pure remains René Magritte revealed Rimbaud Salvador Dali sculpture secret sense shadow simply surface surrealism surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy