Dada & Surrealism A&iPhaidon Press, 19 nov 1997 - 448 pagina's This stimulating introductory survey traces the origins and development of these two roughly parallel revolutionary twentieth-century art movements, exploring the full range of artistic production, including film, photography, collage, painting, graphics and object making. Matthew Gale skilfully places the art within a context of ideas ranging from the disillusionment and questioning of accepted values that resulted from the senseless destruction of World War I to the use of the creative forces of the unconscious to undermine convention. |
Vanuit het boek
Resultaten 1-3 van 35
Pagina
... Masson had been closer to Cubism . Severely wounded in the war , he read Nietzsche , Dostoyevsky , Lautréamont and others in search for some sense to his harrowing experience . In Paris , he became friendly with Juan Gris and achieved a ...
... Masson had been closer to Cubism . Severely wounded in the war , he read Nietzsche , Dostoyevsky , Lautréamont and others in search for some sense to his harrowing experience . In Paris , he became friendly with Juan Gris and achieved a ...
Pagina
... Masson - through the hole in the wall between their studios - whether he should visit Picabia ( whose work he knew André Masson , Furious Suns , 1925 . Ink on paper : 42 : 2x31.7 cm , 16 % x 12 in . Museum of Modern Art , New York Joan ...
... Masson - through the hole in the wall between their studios - whether he should visit Picabia ( whose work he knew André Masson , Furious Suns , 1925 . Ink on paper : 42 : 2x31.7 cm , 16 % x 12 in . Museum of Modern Art , New York Joan ...
Pagina 3
... Masson , both Miró and Tanguy found encouragement in Surrealist automatism for a release of personal imagery , often disturbing or dreamlike in nature . It was first apparent in their drawings and only more gradually achieved on canvas ...
... Masson , both Miró and Tanguy found encouragement in Surrealist automatism for a release of personal imagery , often disturbing or dreamlike in nature . It was first apparent in their drawings and only more gradually achieved on canvas ...
Inhoudsopgave
A Wave of Dreams Beginnings of Surrealism 19241929 213 | 7 |
The Call of the Night The Surrealist International 19331939 303 Fur Covered | 8 |
Fabulous RaceTrack of Death Exile 19391946 353 h 7 5 cm 3 | 9 |
Copyright | |
2 andere gedeelten niet getoond
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
abstract activities André Breton Apollinaire Aragon artists audience automatism avant-garde Ball Barcelona became Beginnings of Surrealism Berlin Dada Buñuel Cabaret Voltaire Centre Georges Pompidou Chirico collaboration collages Cologne colour contemporary contributed Cubism culture Dada & Surrealism Dada in Central Dada in Paris Dada in Zurich Dada's Dali's Éluard established exhibition Exile Expressionist film France Francis Picabia French Gallery German Giacometti Grosz Hans Arp Heartfield Huelsenbeck imagery images included Janco Jean joined Kurt Schwitters La Révolution surréaliste Littérature London Magritte Manifesto Marcel Duchamp Marcel Janco Masson Matta Max Ernst Miró Modern Art movement Museum of Modern Oil on canvas Paalen painter painting Paris Dada Parisian Paul Éluard Péret periodical photographs photomontage Picasso Pierre poems poetry poets political postwar Prague published Raoul Hausmann René revolution Révolution surréaliste Salvador Dalí sexuality soirée Soupault Surrealist International 1933-1939 Surrealist object Tanguy technique texts Tristan Tzara writers York Zurich Dada