Dada & Surrealism A&iPhaidon Press, 19 nov 1997 - 448 pagina's This stimulating introductory survey traces the origins and development of these two roughly parallel revolutionary twentieth-century art movements, exploring the full range of artistic production, including film, photography, collage, painting, graphics and object making. Matthew Gale skilfully places the art within a context of ideas ranging from the disillusionment and questioning of accepted values that resulted from the senseless destruction of World War I to the use of the creative forces of the unconscious to undermine convention. |
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Pagina
... colour of the Blaue Reiter circle but with a tendency towards geometric formality . This can be seen in the designs for geometric tapestries , dominated by squares and rectangles , which they exhibited at the Galerie Tanner in November ...
... colour of the Blaue Reiter circle but with a tendency towards geometric formality . This can be seen in the designs for geometric tapestries , dominated by squares and rectangles , which they exhibited at the Galerie Tanner in November ...
Pagina
... colour and poetry . He recommends plane geometry rather than painted versions of the Creation and the Apocalypse . When he advocates the primitive , he means the first abstract sketch that is aware of complexities but avoids them ...
... colour and poetry . He recommends plane geometry rather than painted versions of the Creation and the Apocalypse . When he advocates the primitive , he means the first abstract sketch that is aware of complexities but avoids them ...
Pagina 4
... colour . As with the prints , Arp used planks of wood cut in biomorphic forms . The layers were progressive planks held by clearly visible screws and differentiated by bright colours , so that the effect was of a pile of disparate ...
... colour . As with the prints , Arp used planks of wood cut in biomorphic forms . The layers were progressive planks held by clearly visible screws and differentiated by bright colours , so that the effect was of a pile of disparate ...
Inhoudsopgave
A Wave of Dreams Beginnings of Surrealism 19241929 213 | 7 |
The Call of the Night The Surrealist International 19331939 303 Fur Covered | 8 |
Fabulous RaceTrack of Death Exile 19391946 353 h 7 5 cm 3 | 9 |
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abstract activities André Breton Apollinaire Aragon artists audience automatism avant-garde Ball Barcelona became Beginnings of Surrealism Berlin Dada Buñuel Cabaret Voltaire Centre Georges Pompidou Chirico collaboration collages Cologne colour contemporary contributed Cubism culture Dada & Surrealism Dada in Central Dada in Paris Dada in Zurich Dada's Dali's Éluard established exhibition Exile Expressionist film France Francis Picabia French Gallery German Giacometti Grosz Hans Arp Heartfield Huelsenbeck imagery images included Janco Jean joined Kurt Schwitters La Révolution surréaliste Littérature London Magritte Manifesto Marcel Duchamp Marcel Janco Masson Matta Max Ernst Miró Modern Art movement Museum of Modern Oil on canvas Paalen painter painting Paris Dada Parisian Paul Éluard Péret periodical photographs photomontage Picasso Pierre poems poetry poets political postwar Prague published Raoul Hausmann René revolution Révolution surréaliste Salvador Dalí sexuality soirée Soupault Surrealist International 1933-1939 Surrealist object Tanguy technique texts Tristan Tzara writers York Zurich Dada