Crisis and the Arts: The import of nothing : how Dada came, saw, and vanished in the Low Countries (1915-1929)G.K. Hall, 1996 - 241 pagina's In examining Dada in the Low Countries, Hubert van den Berg is faced with a complex situation that as much critiqued as embraced Dada. Largely an individual affair, and lacking the community "center" of Dada in Zurich, Berlin and the other Dada "capitals," van den Berg focuses equally on Dada's reception and on its exercise. Primarily a case of selective appropriation, Dada in the Low Countries nevertheless possessed an international reach, achieved in the relationships it posed between Dada and the Post-World War I Constructivist International and De Stijl. For the author, Dada in Belgium and the Netherlands is less a case of its "story" than of specific cases of its "use." The involvement of Clement Pansaers, Paul van Ostaijen, Theo van Doesburg, and German artist Kurt Schwitters, figure prominently in the historical mapping of van den Berg's complex and elusive subject. |
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Pagina 68
... Blumenfeld.28 Blumenfeld was a German artist who had a relationship with the Berlin circle of Grosz and Mehring . Blumenfeld was married to Citroen's cousin Lena . During the war , Blumenfeld had been in charge of a German army brothel ...
... Blumenfeld.28 Blumenfeld was a German artist who had a relationship with the Berlin circle of Grosz and Mehring . Blumenfeld was married to Citroen's cousin Lena . During the war , Blumenfeld had been in charge of a German army brothel ...
Pagina 71
... Blumenfeld.39 Indeed , clear resemblances can also be made out between some other ( allegedly ) early collages by Citroen and compatible work by Blumenfeld : combinations of collage and ink - drawing that are quite typical of Blumenfeld's ...
... Blumenfeld.39 Indeed , clear resemblances can also be made out between some other ( allegedly ) early collages by Citroen and compatible work by Blumenfeld : combinations of collage and ink - drawing that are quite typical of Blumenfeld's ...
Pagina 232
... Blumenfeld , Erwin Bloomfeld , Erwin . See Blumenfeld , Erwin Bloomfield , Erwin . See Blumenfeld , Erwin Bloomfield , Jan. See Blumenfeld , Erwin Blume , Anna , 66 , 151 Blumenfeld , Erwin , 7 , 67-72 , 111 , 123 , 138 , 195-198 , 202 ...
... Blumenfeld , Erwin Bloomfeld , Erwin . See Blumenfeld , Erwin Bloomfield , Erwin . See Blumenfeld , Erwin Bloomfield , Jan. See Blumenfeld , Erwin Blume , Anna , 66 , 151 Blumenfeld , Erwin , 7 , 67-72 , 111 , 123 , 138 , 195-198 , 202 ...
Inhoudsopgave
THE STRANGE CASE OF JUL KREKEL | 25 |
THE ARRIVAL OF DADA IN THE NETHERLANDS | 61 |
PAUL VAN OSTAIJEN THE BOND ZONDER GEZEGELD | 76 |
Copyright | |
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aesthetic Amsterdam Antwerp artists avant-garde Bar Nicanor Bezette Stad Blumenfeld Brussels Ça Ira Citation Clément Pansaers collages constructivism constructivist creative indifference cubism Dada en Belgique Dada Holland Dada in Berlin Dada movement Dada tour Dada-Almanach Dadaglobe Dadaist Dadaist Salvation Doesburg and Schwitters Doesburg/Bonset Dutch Dada Campaign edited emancipated cubism expressionism expressionist Flemish nationalism Friedlaender Friedlaender's German Getij Grosz Hadermann Hague Hannah Höch Hausmann Holland Dada I. K. Bonset Ibid issue Krekel Kunst Kurt Schwitters literary Low Countries Manifeste Marc Dachy Mécano Merz Mesens Mondrian Mouvement Dada Nelly van Doesburg Netherlands Neuhuys Nieuwe Beelding Onze Stam Overzicht Pansaers's Paris Paul Citroen Paul Joostens Paul van Ostaijen Picabia poems poetry political presented programmatic published regarded Résurrection Revue du Feu Richard Huelsenbeck Salvation of Europe Schippers Schwitters's Seuphor Sienjaal Stijl Sturm Theo van Doesburg Til Brugman Tristan Tzara Vilmos Huszár Wat is Dada Werkman Wichman X-beelden