The Dada reader: a critical anthology

Voorkant
University of Chicago Press, 15 okt. 2006 - 320 pagina's
4 Recensies
The revolutionary Dada movement, though short-lived, produced a vast amount of creative work in both art and literature during the years that followed World War I. Rejecting all social and artistic conventions, Dadaists went to the extremes of provocative behavior, creating "anti-art" pieces that ridiculed and questioned the very nature of creative endeavor. To understand their movement's heady mix of anarchy and nihilismcombined with a lethal dash of humorit's essential to engage with the artists' most important writings and manifestos. And that is is precisely where this reader comes in. Bringing together key Dada texts, many of them translated into English for the first time, this volume immerses readers in some of the most famous (and infamous) periodicals of the time, from Hugo Ball's Cabaret Voltaireand Francis Picabia's 391to Marcel Duchamp's The Blind Manand Kurt Schwitters's Merz. Published in Europe and the United States between 1916 and 1932, these journals constituted the movement's lifeblood, communicating the desires and aspirations of the artists involved. In addition to providing the first representative selection of these texts, The Dada Readeralso includes excerpts from many lesser-known American and Eastern European journals. Compiled with both students and general readers in mind, this volume is necessary reading for anyone interested in one of the most dynamic and influential movements of the twentieth century.

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Review: The DADA Reader: A Critical Anthology

Gebruikersrecensie  - Diogenes - Goodreads

[Paperback edition] This work contains excerpts from Dadaist journals from the early 20th century, with short prefaces by Ades before each journal selection. The selections appear to have been chosen ... Volledige recensie lezen

Review: The DADA Reader: A Critical Anthology

Gebruikersrecensie  - David Williamson - Goodreads

A tad repetitive. Dada is nonsensical, which is a bit difficult to explain, discuss, define, without resorting to nonsense, contradiction and general silliness. This can make reading a little difficult as there are gems in here, but a lot of over the top dross. Volledige recensie lezen

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Inhoudsopgave

Club Dada April 1918 Richard Huelsenbeck Torev
21
FranzjungAmerican Parade
70
Der Dada lntroduction
82
Copyright

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Over de auteur (2006)

Dawn Ades is director of the Centre for Studies of Surrealism and its Legacies and professor of art history and theory at the University of Essex.

Bibliografische gegevens