What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 48
... liberation of the mind , the express aim of surrealism , demands as primary condition , in the opinion of the surrealists , the liberation of man , which implies that we must struggle with our fetters with all the energy of despair ...
... liberation of the mind , the express aim of surrealism , demands as primary condition , in the opinion of the surrealists , the liberation of man , which implies that we must struggle with our fetters with all the energy of despair ...
Pagina 49
... liberation of man upon the proletarian Revolution . I now feel free to turn to the object of this pamphlet , which is to attempt to explain what surrealism is . A certain immediate ambiguity contained in the word surrealism , is , in ...
... liberation of man upon the proletarian Revolution . I now feel free to turn to the object of this pamphlet , which is to attempt to explain what surrealism is . A certain immediate ambiguity contained in the word surrealism , is , in ...
Pagina 70
... liberation of the mind , and we can expect this liberation of man to result only from the proletarian Revolution . These two problems are essentially distinct and we deplore their becoming confused by not remaining so . There is good ...
... liberation of the mind , and we can expect this liberation of man to result only from the proletarian Revolution . These two problems are essentially distinct and we deplore their becoming confused by not remaining so . There is good ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole