Dada and Surrealist FilmRudolf E. Kuenzli MIT Press, 29 jul 1996 - 260 pagina's This groundbreaking collection of thirteen original essays analyzes connections between film and two highly influential twentieth-century movements. |
Inhoudsopgave
Introduction | 1 |
ESSAYS | 13 |
Légers Ballet mécanique | 28 |
Cinema as Readymade | 46 |
Exploring the Discursive Field of the Surrealist | 58 |
Benjamin Fondanes Scenarii intournables | 72 |
Slit Screen | 86 |
Robert Desnoss | 99 |
Dulac and Artaud Reviewed | 110 |
The Nature of a Collaboration | 128 |
The Talking Cure | 143 |
Between the Sign of the Scorpion and the Sign of | 159 |
On Land without Bread | 176 |
Buñuelian Cinema and Its Critics | 199 |
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Abel Abel Gance abstract aesthetic Alain André Anémic Cinéma Antonin Artaud appears Aranda avant-garde Ballet Mécanique Bataille Benjamin Fondane Breton British Film Institute Cahiers camera Cendrars Chien andalou cinema cinémathèque closeup critical culture Dada Dada films Dadaists Dalí and Buñuel Dali's death Delluc desire Desnos's dissolve dream Dudley Murphy Ecrits Emak Bakia Entr'acte erotic essay excrement femme Fernand Léger figure film's filmmaking films racontés Fondane's frame French Gallimard Gance Germaine Dulac Hans Richter Hurdano images L'Age d'or L'Etoile Land without Bread language Luis Buñuel meaning metaphor montage movement narrative object Odette Virmaux painting Paris Picabia poem poetry Press Ray's readymade reality René Clair representation rhythm Richter Robert Desnos scenario scene screen script Seashell sequence sexual shot spectator starfish suggests Surrealism Surréalisme et cinéma Surrealist Surrealist film symbolic tion Trans Un Chien andalou verbal viewer Viking Eggeling visual woman words writing York