The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
Vanuit het boek
Resultaten 1-3 van 14
Pagina 74
... Fyne listened , observed and medi- tated .... That's an excellent way of coming to a conclusion " ( 173 ) . Fyne's hypothesis ( the cousin hoped de Barral had hidden enough money to reward him later on ) is , of course , pure conjecture ...
... Fyne listened , observed and medi- tated .... That's an excellent way of coming to a conclusion " ( 173 ) . Fyne's hypothesis ( the cousin hoped de Barral had hidden enough money to reward him later on ) is , of course , pure conjecture ...
Pagina 94
... Fyne's nebulous description . Fyne , watching the departure of the governess , tells Marlow " that he was excited as if watching some action on the stage " ( 114 ) , suggesting that for him , at this point , the narrative of Flora ...
... Fyne's nebulous description . Fyne , watching the departure of the governess , tells Marlow " that he was excited as if watching some action on the stage " ( 114 ) , suggesting that for him , at this point , the narrative of Flora ...
Pagina 96
... Fyne to Captain Anthony's ( 191 ) , for no other purpose , one assumes , than to witness the scene and help it along should it threaten to sag . He repeats the strategy by waiting around while Fyne goes in , then waylaying Flora and ...
... Fyne to Captain Anthony's ( 191 ) , for no other purpose , one assumes , than to witness the scene and help it along should it threaten to sag . He repeats the strategy by waiting around while Fyne goes in , then waylaying Flora and ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
3 andere gedeelten niet getoond
Veelvoorkomende woorden en zinsdelen
apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing