The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 212
... fiction , living in one world and in another at once , but alive now in neither , admitting no history in one , having none in the other " ( 49 ) , as if he were " myself emptied " ( 43 ) . The crisis , of course , involves that all but ...
... fiction , living in one world and in another at once , but alive now in neither , admitting no history in one , having none in the other " ( 49 ) , as if he were " myself emptied " ( 43 ) . The crisis , of course , involves that all but ...
Pagina 250
... fiction often find themselves confronting reflexivity , but just as often they succumb to the temptation to see it as a mark of ( only ) new fiction . For example , Stephen Heath's book on the nouveau roman uses Althusser's notion of ...
... fiction often find themselves confronting reflexivity , but just as often they succumb to the temptation to see it as a mark of ( only ) new fiction . For example , Stephen Heath's book on the nouveau roman uses Althusser's notion of ...
Pagina 265
... Fiction . Athens : University of Georgia Press , 1975 . Frye , Northrop . Anatomy of Criticism . New York : Atheneum , 1969 . The Great Code : The Bible and Literature . New York : Harcourt Brace Jovanovitch , 1982 . Spiritus Mundi ...
... Fiction . Athens : University of Georgia Press , 1975 . Frye , Northrop . Anatomy of Criticism . New York : Atheneum , 1969 . The Great Code : The Bible and Literature . New York : Harcourt Brace Jovanovitch , 1982 . Spiritus Mundi ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing