The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 62
... Reader as a Narrative Stance Indeed , one could argue that the reader is the real focus of all this reflexive play with stance , and especially with the stance of the com- mentator - one that could function out of any of the three major ...
... Reader as a Narrative Stance Indeed , one could argue that the reader is the real focus of all this reflexive play with stance , and especially with the stance of the com- mentator - one that could function out of any of the three major ...
Pagina 63
... reader a great deal of freedom , and it requires that he or she come out of any passive role and supply the conventional norms absent in young Mrs. Bullock . 3. The more reflexive the exercise of this device , the more it reveals the ...
... reader a great deal of freedom , and it requires that he or she come out of any passive role and supply the conventional norms absent in young Mrs. Bullock . 3. The more reflexive the exercise of this device , the more it reveals the ...
Pagina 187
... reader , a line that somehow manages to lead us past the very obvious way epigraphs are in fact barriers — they are , after all , the words of other authors , not " his " or " hers " whom we read . In this particular case , our ...
... reader , a line that somehow manages to lead us past the very obvious way epigraphs are in fact barriers — they are , after all , the words of other authors , not " his " or " hers " whom we read . In this particular case , our ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing