SurrealismH. N. Abrams, 1974 - 144 pagina's |
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Pagina 104
... Magritte's later work , where pictures and their titles ( added later ) often have no rational connection . We are looking into a room ( the middle ground of the picture ) in which an evidently dead woman lies on a couch . Her face is ...
... Magritte's later work , where pictures and their titles ( added later ) often have no rational connection . We are looking into a room ( the middle ground of the picture ) in which an evidently dead woman lies on a couch . Her face is ...
Pagina 110
... Magritte's version of The Balcony , Manet's three figures are also replaced by coffins . This linking of incongruous elements , which seems es- pecially striking in Madame Récamier by David , gives rise to the question whether Magritte ...
... Magritte's version of The Balcony , Manet's three figures are also replaced by coffins . This linking of incongruous elements , which seems es- pecially striking in Madame Récamier by David , gives rise to the question whether Magritte ...
Pagina 112
... Magritte's later work . He is usually seen with his face turned away , or else the face is replaced by some other object ; the man remains anonymous . The fact that Magritte had himself photographed several times wearing a bowler hat ...
... Magritte's later work . He is usually seen with his face turned away , or else the face is replaced by some other object ; the man remains anonymous . The fact that Magritte had himself photographed several times wearing a bowler hat ...
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