The Great Movies II

Voorkant
Crown, 12 nov 2008 - 544 pagina's
From America's most trusted and highly visible film critic, 100 more brilliant essays on the films that define cinematic greatness.

Continuing the pitch-perfect critiques begun in The Great Movies, Roger Ebert's The Great Movies II collects 100 additional essays, each one of them a gem of critical appreciation and an amalgam of love, analysis, and history that will send readers back to films with a fresh set of eyes and renewed enthusiasm—or perhaps to an avid first-time viewing. Neither a snob nor a shill, Ebert manages in these essays to combine a truly populist appreciation for today's most important form of popular art with a scholar's erudition and depth of knowledge and a sure aesthetic sense. Once again wonderfully enhanced by stills selected by Mary Corliss, former film curator at the Museum of Modern Art, The Great Movies II is a treasure trove for film lovers of all persuasions, an unrivaled guide for viewers, and a book to return to again and again.

Films featured in The Great Movies II

12 Angry Men · The Adventures of Robin Hood · Alien · Amadeus · Amarcord · Annie Hall · Au Hasard, Balthazar · The Bank Dick · Beat the Devil · Being There · The Big Heat · The Birth of a Nation · The Blue Kite · Bob le Flambeur · Breathless · The Bridge on the River Kwai · Bring Me the Head of Alfredo García · Buster Keaton · Children of Paradise · A Christmas Story · The Color Purple · The Conversation · Cries and Whispers · The Discreet Charm of the Bourgeoisie · Don’t Look Now · The Earrings of Madame de . . . · The Fall of the House of Usher · The Firemen’s Ball · Five Easy Pieces · Goldfinger · The Good, the Bad and the Ugly · Goodfellas · The Gospel According to Matthew · The Grapes of Wrath · Grave of the Fireflies · Great Expectations · House of Games · The Hustler · In Cold Blood · Jaws · Jules and Jim · Kieslowski’s Three Colors Trilogy · Kind Hearts and Coronets · King Kong · The Last Laugh · Laura · Leaving Las Vegas · Le Boucher · The Leopard · The Life and Death of Colonel Blimp · The Manchurian Candidate · The Man Who Laughs · Mean Streets · Mon Oncle · Moonstruck · The Music Room · My Dinner with Andre · My Neighbor Totoro · Nights of Cabiria · One Flew Over the Cuckoo’s Nest · Orpheus · Paris, Texas · Patton · Picnic at Hanging Rock · Planes, Trains and Automobiles · The Producers · Raiders of the Lost Ark · Raise the Red Lantern · Ran · Rashomon · Rear Window · Rififi · The Right Stuff · Romeo and Juliet · The Rules of the Game · Saturday Night Fever · Say Anything · Scarface · The Searchers · Shane · Snow White and the Seven Dwarfs · Solaris · Strangers on a Train · Stroszek · A Sunday in the Country · Sunrise · A Tale of Winter · The Thin Man · This Is Spinal Tap ·Tokyo Story · Touchez Pas au Grisbi · Touch of Evil · The Treasure of the Sierra Madre · Ugetsu · Umberto D · Unforgiven · Victim · Walkabout · West Side Story · Yankee Doodle Dandy
 

Geselecteerde pagina's

Inhoudsopgave

The Adventures of Robin Hood
6
Amarcord
23
The Bank Dick
39
The Big Heat
54
The Blue Kite
67
Breathless
77
Buster Keaton
93
The Color Purple
108
Mean Streets
273
The Music Room
288
Nights of Cabiria
303
Paris Texas
318
Planes Trains and Automobiles
334
Raise the Red Lantern
349
Rear Window
364
The Right Stuff
374

The Discreet Charm of the Bourgeoisie
123
The Fall of the House of Usher
138
Goldfinger
153
The Gospel According to Matthew
169
Great Expectations
184
In Cold Blood
199
Kieslowskis Three Colors Trilogy
214
King Kong
227
Leaving Las Vegas
242
The Life and Death of Colonel Blimp
257
Saturday Night Fever
390
The Searchers
406
Solaris
421
A Sunday in the Country
436
The Thin Man
451
Touchez Pas au Grisbi
467
Ugetsu
482
Victim
497
Yankee Doodle Dandy
513
Copyright

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Veelvoorkomende woorden en zinsdelen

Populaire passages

Pagina 4 - I shot the first third of the movie above eye level, shot the second third at eye level and the last third from below eye level. In that way, toward the end the ceiling began to appear. Not only were the walls closing in, the ceiling was as well. The sense of increasing claustrophobia did a lot to raise the tension of the last part of the movie.

Over de auteur (2008)

ROGER EBERT was born in Urbana, Illinois, and attended local schools and the University of Illinois, where he was editor of The Daily Illini. After graduate study in English at the universities of Illinois, Cape Town, and Chicago, he became a film critic of the Chicago Sun-Times in 1967 and won the Pulitzer Prize for criticism in 1975. The same year, he began a long association with Gene Siskel on the TV program Siskel and Ebert. After Siskel’s death in 1999, the program continued with Richard Roeper as Ebert and Roeper, a show that is syndicated in more than two hundred markets. Ebert was a lecturer on film in the University of Chicago’s Fine Arts Program, an adjunct professor of cinema and media studies at the University of Illinois, and received honorary doctorates from the School of the Art Institute of Chicago, the American Film Institute, and the University of Colorado, where he conducted an annual shot-by-shot analysis of a film for thirty-five years at the Conference on World Affairs. In 1999 he started an Overlooked Film Festival at the University of Illinois, selecting films, genres, and formats he believed deserve more attention. He is the author of The Great Movies, the bestselling annual volume Roger Ebert’s Movie Yearbook, and Roger Ebert’s Book of Film, in addition to a dozen other books. He died in 2013.

Bibliografische gegevens