The Drama of Revolt: A Critical Study of Georg Büchner

Voorkant
Cambridge University Press, 1976 - 321 pagina's
Georg Büchner is one of the most important dramatists of the nineteenth century, both intrinsically and on account of his enormous influence on the drama of our own time. Professor Benn attempts a comprehensive study of the art and thought of this distinguished writer, emphasising throughout that attitude of revolt which is so characteristic of Büchner. After a brief introduction in which he pinpoints the positive nature of Büchner's revolt and establishes links between his thought and that of Hölderlin and Camus, Professor Benn discusses in the first three theoretical chapters Büchner's revolutionary political principles, his sceptical and iconoclastic philosophical speculations and his fierce attacks on classical theories in art. He then examines each of Büchner's major works - Dantons Tod, Leonce und Lena, Lenz and Woyzeck - analysing the genesis and interpretation of the last in detail. A short concluding chapter summarises the results of the inquiry and assesses the value of the methods used.
 

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INTRODUCTION
1
POLITICAL REVOLT
4
Der Hessische Landbote
20
Buchners Later Political Attitude
36
METAPHYSICAL REVOLT
41
The Early Period
44
The Commentary on Descartes and Spinoza
53
Buchners Scientific Work
62
LEONCE UND LENA
155
Characterization
162
Style and Structure
175
LENZ
184
Structure and Style
192
Lenz and Oberlin
198
WOYZECK
215
Sources and Genesis
216

The Solidarity of Revolt
69
AESTHETIC REVOLT
75
Idealization in Classical Literature and Art
77
Buchners Revolt against Idealization
84
Some Critical Remarks on Buchners Aesthetics
99
DANTONS TOD
103
Characterization
105
Style
138
Structure
147
Political and Metaphysical Significance
151
The First Fragment H1
224
The Second and Third Fragments H3 and H2
234
The Last Fragment H4
243
Revolt in Woyzeck
253
CONCLUSION
263
Notes
269
Chronological table
305
Bibliography
309
Index of names
315
Copyright

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