| Rae Beth Gordon - 2001 - 300 pagina’s
Vividly bringing to light the tradition of physical comedy in the French cabaret, cafe-concert, and early French film comedy, this book answers the perplexing question, "Why do ... | |
| Rae Beth Gordon - 2014 - 307 pagina’s
In this examination of the role of ornament in nineteenth-century French literature, Rae Beth Gordon shows that ornament, far from being a simple accessory, raises problems ... | |
| Jonathan Paul Eburne - 2008 - 348 pagina’s
Corpses mark surrealism's path through the twentieth century, providing material evidence of the violence in modern life. Though the shifting group of poets, artists, and ... | |
| Jesse Matz - 2017 - 357 pagina’s
Impressionism captured the world's imagination in the late nineteenth century and remains with us today. Portraying the dynamic effects of modernity, impressionist artists ... | |
| Kathryn Brown - 2017 - 575 pagina’s
Throughout his career, Henri Matisse used imagery as a means of engaging critically with poetry and prose by a diverse range of authors. Kathryn Brown offers a groundbreaking ... | |
| Timothy Mathews - 2006 - 252 pagina’s
Mathews examines work by writers and painters working in France in the twentieth century. | |
| Mark Antliff - 2007 - 380 pagina’s
An investigation of the central role that theories of the visual arts and creativity played in the development of fascism in France between 1909 and 1939. | |
| Patricia Leighten - 2013 - 304 pagina’s
The years before World War I were a time of social and political ferment in Europe, which profoundly affected the art world. A major center of this creative tumult was Paris ... | |
| Anne Sinclair - 2014 - 240 pagina’s
A singular man in the history of modern art, betrayed by Vichy, is the subject of this riveting family memoir On September 20, 1940, one of the most famous European art dealers ... | |
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