All Semblative a Woman's Part?: Studies in the Staging of and Audience Response to Boy Actors in Sexual Disguise in the Elizabethan Theatre 1580-1615H. Gras, 1991 - 583 pagina's |
Inhoudsopgave
Particular Interest in the Boy Actor | 5 |
I SAW SIR ROBERT SIDNEY UPON THE STAGE ACTOR AND CHARACTER IN THE ELIZABETHAN VIEWERS MIND | 11 |
b Spectators Accounts of ChamberlainsKings | 21 |
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Veelvoorkomende woorden en zinsdelen
action actors names acts alludes allusion ambiguous androgyny Antonio Arcadia audience behaviour boy actor boy player Burbage called Cesario Chapter Choristers comedy context costume Cynthia's Revels device dialogue disguise plays disguised character disguised heroine drama effeminate elements Elizabethan English erotic fantasy female character feminine friendship gallant Gallathea Ganymede Gentlemen of Verona hermaphrodite Heywood homosexual Honest Man's Fortune Humour idea implies ingle instance interpretation joke Jonson King Lady Lady Elizabeth's Men like-will-to-like literary London lover Maid's Metamorphosis male marriage masculine Moreover Musidorus nature Olivia Orlando Orsino particularly passion pederasty performance persons Philaster play's players poet poetry prefixes Prince probably Pyrocles refers reified relationship remark Renaissance Revels role romance Rosalind satire says scene Sebastian sense sexual disguise Shakespeare shows social sodomy spectators stage direction story stress suggests symbolic theatre theatrical thou thought tradition Tragedy transformation transvestism Twelfth Night wife woman women wooing Zelmane

