Dance in ThumriAbhinav Publications, 1986 - 115 pagina's The Book Narrates The Story Of The Sad, Rather Step-Motherly Treatment Meted Out By Orthodox Musicians To Thumri-Especially Their Castigation Of Thumri As A Dance Form. Such Apathy And Castigation Stem From A Colonial Milieu And The Education That Went With It. For All Practical Purposes Not Only Is The Thumri S Dance Portion Too Often Totally Ignored, But It Is Even Considered Superfluousl. The Author Impresseson The Reader The Close Link Between The Dance And The Music. Such At Least Was The Indissoluble Union Of Style In The Past. The Author Hopes That The Book Will Correct This Disturbed Relationship. As Such The Work Is Of Immense Artistic Importance. |
Inhoudsopgave
Thumri | 1 |
Lyricism and Nayikas | 8 |
Abhinaya in Thumri | 16 |
Nawab Wajid Ali Shah and Bindadin | 22 |
Contemporary Artists | 29 |
Thumri Dancers | 69 |
Index | 105 |
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Achchan Maharaj Akhtari Allahabad artists ballets Banaras Gharana Begum beloved Bharatiya Kala Kendra Bibbi Binda Bindadin Maharaj Birju Maharaj Bombay Braj Calcutta composed Dadra dance teacher dancer Delhi Dhrupad disciple exponent expressions famous father footwork Gauhar Jan gestures Ghazal Gopi Guru husband Jaipur Jaipur Gharana Janki Bai Kalika Prasad Kanhaiya Kathak dance Kheyal Krishan Krishna Kumudini Lakhia learnt Luchchu Maharaj Lucknow Lucknow Gharana Madhya Malka Menaka Misra movements Mugdha musicians Narayan Nawab Nayika Nritya Parakiya Patika performances Piya Prandha Radha Ragas Ram Gopal Roshanara Begum Sakhis Sangit Natak Akademi Shambhu Maharaj Shankar Shyam Siddheshwari Devi Singh singing Sitara Devi style Sunder Prasad Tappa Thumri singers Thumri songs training in Kathak Ustad Wajid Ali Shah अन्तरा अब कर करत काहे की के कैसे को गई देखो नहीं नाहीं नित पिया बिन्दा ब्रज भई मन मुख में मैं मोरी मोरे मोहे रे लाल श्याम संग स्थायी ही है हो