Mies Van Der Rohe

Voorkant
Taylor & Francis, 1996 - 143 pagina's
This book examines the life and work of one of the great architects of our time, Mies van der Rohe. Beginning and ending in Berlin, from the pre-1914 houses for the intelligentsia to the final masterpiece of 1968, the Neue Nationalgalerie, this essay records the stages of a distinguished career from the Bauhaus to Chicago, Detroit, Montreal and to New York, with the famous Seagram Building, confirming Mies van der Rohe as the equal of Frank Lloyd Wright and Le Corbusier. Jean-Louis Cohen brings out the paradoxes in this elegant, remote, refined and mysterious personality: the man who built the monument to Rosa Luxembourg and who flirted with the Nazi regime; the architect who affirmed, in one of his famous aphorisms, that 'less is more' and yet does not hesitate to use the most sophisticated materials for his buildings. This study shows how Mies 'designed, in his initial types, and in their development, categories of buildings as symbolic of the capitalist way of production as of the Florentine palaces of Quattrocento society'.
 

Inhoudsopgave

Mies today
7
Theoretical projects for
23
Foundations of a new domestic
41
From the Bauhaus to the Third
65
Chicago and American
81
A classicism for the industrial
111
Principal projects and buildings
132
Picture credits
138
Copyright

Veelvoorkomende woorden en zinsdelen

Over de auteur (1996)

Jean-Louis Cohen is an architect & historian. He is a professor at the Institute of Fine Arts at New York University & the director of the Institute Francais d'Architecture. He specializes in the twentieth-century architecture & urbanism of Europe & the United States.

Bibliografische gegevens