Shaping Society Through Dance: Mestizo Ritual Performance in the Peruvian AndesUniversity of Chicago Press, 2000 - 285 pagina's During the patron saint fiesta in the Andean town of San Jerónimo, Peru, crowds gather at sunset in the town square, eagerly awaiting the entrance of the colorful dance troupes, or comparsas. With their masks, music, and surprising interpretations of contemporary events, the comparsas of the Cusco region are the focus of this multifaceted work. At the crossroads of folklore and ritual, mass media and local preferences, and regional and national identity, the comparsas—recorded here on VHS, DVD, and compact disc—have become a powerful way for the local people to make sense of their place in Peru and in the world. As Zoila Mendoza shows, they do more than reflect societal changes, they actively transform society. In this fluid world, she argues, racial and ethnic identities are shaped more by notions of what is decent, elegant, and modern rather than by skin color or status. As the different troupes vie for the townspeople's recognition as the most "authentic" group, these notions are challenged and reworked. A fascinating look at a rich tradition, this innovative work is also a compelling example of the critical anthropology of performance. |
Inhoudsopgave
An Introduction to the Study of Ritual Dance Performance in the Andes | 3 |
Folklore Authenticity and Traditions in Cusco Regional Identity | 48 |
The People of San Jeronimo Their Lives and Their Main Ritual in Regional and Historical Perspectives | 84 |
The Majenos Comparsa Power Prestige and Masculinity among Mestizos | 109 |
Genuine but Marginal Cultural Belonging Social Subordination and the Carnivalesque in the Qollas Performance | 164 |
Contesting Identities through Altiplano Danzas Gender and Generational Conflicts in the Cusco Region | 207 |
Reflections on the Relationship between Performance and Society | 233 |
Notes | 241 |
| 265 | |
Contents of Video | 275 |
| 277 | |
Veelvoorkomende woorden en zinsdelen
activities Altiplano danzas Andean Andean music arrieros associated ayllus became become Caporal carnivalesque celebration central Centro Qosqo chapter characteristic cholo choreography church cofradías colonial Comaroff comparsa members comparsa performance concept contests costumes cultural cumbia Cusco city Cusco region cusqueño dance dancers danza performance decente departamento economic elite ethnic/racial folklore forms hacendados hacienda highland identity ideology imagen Imilla impersonate important Inca Inca empire Indian indigenistas indigenous instituciones culturales jeronimianos Lima llama llameros Machu Majeños comparsa Majeños danza male mance Maqt'as masks melody Mendoza mestizo Mollos movement organized parish parsa participants particular pasacalle patron patron-saint fiesta Paucartambo peasant Peru Peruvian petite bourgeoisie plaza popular population pre-Hispanic promoted Puno Qhapaq Qollas comparsa Qollas performance Quechua Queija Rakhu re-created Rénique ritual performance role rural Saint Jerome San Jerónimo social Spanish stanzas symbolic tion tional town townspeople traditional transportistas Tuntuna urban video example Villasante wayno women young
Verwijzingen naar dit boek
Sounding Indigenous: Authenticity in Bolivian Music Performance Michelle Bigenho Geen voorbeeld beschikbaar - 2002 |
Political Cultures in the Andes, 1750-1950 Nils Jacobsen,Cristóbal Aljovín de Losada Fragmentweergave - 2005 |

