Drama and the South African StateManchester University Press, 1991 - 263 pagina's This book examines how South African drama over the past several decades has constructed the subject and the landscape, presented the body, and sometimes sought to define a national culture. |
Inhoudsopgave
Acknowledgements page | 1 |
The white savage beneath | 22 |
Families live in limited spaces | 54 |
Copyright | |
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actors Afrikaner Calvinist amongst apartheid argued assertion Athol Athol Fugard attempt banned Bantu Black Consciousness blood knot body Boesman and Lena Butler Cape Town censorship Cetshwayo Christian civilisation colonial colonialist coloured concern context continuing Coplan Couzens cultural struggle decades despite Dhlomo discursive formations dominant dramatise eastern Cape endeavour English evident existentialist exploitation explore Fugard girl who killed Hello and goodbye ideology Johannesburg Kavanagh killed to save Kreli labour language liberation literature Market Theatre movement multi-racial Natal National Theatre Ngema noted oppressed classes organisations play play's police political Port Elizabeth present prevailing discourse prison produced racist Rand Daily Mail resistance ruling classes scene segregation segregationist Shakespeare text Sizwe Bansi social order Sophiatown South African drama South African theatre Soweto space stage subordinate classes suggests Theatre and cultural theatre practitioners theatrical township tonight U-Nongqause Union Artists University urban Witwatersrand workers Xhosa Zach

