Film Noir: From Berlin to Sin CityWallflower, 2005 - 144 pagina's Film Noir explores the murky world of a genre responsible for many of film's most enduring images. Mark Bould discusses problems of definition and the often ambiguous nature of film noir and looks at modern films that could be called neo-noir. Iconic and enduring, film noir attracted great stars (Bogart, Bacall, Mitchum, Lancaster), many of the best directors of the era (Wilder, Lang, Preminger, Hawks, Siodmak, Welles) and this book is an indispensible guide to this popular genre. |
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Pagina 8
... investigation . Kitty's femme fatale and Swede's victim - hero , character types at the centre of Damico's model , are subordinated and subjected to Riordan's seeker - hero narrative ( on these character types , see Walker 1992a ) . The ...
... investigation . Kitty's femme fatale and Swede's victim - hero , character types at the centre of Damico's model , are subordinated and subjected to Riordan's seeker - hero narrative ( on these character types , see Walker 1992a ) . The ...
Pagina 55
... investigation folding back on itself , laying out possible permutations of characters and crimes until he hits on the right one , his path seems anything but predetermined . However , the narrative is not of his investigation but of his ...
... investigation folding back on itself , laying out possible permutations of characters and crimes until he hits on the right one , his path seems anything but predetermined . However , the narrative is not of his investigation but of his ...
Pagina 82
... investigation into her death and his route , so he thinks , to wealth , depend upon a clue based on a Christina Rossetti poem , the solution to which equates the female body with a threatening corruption of the flesh . An aura of ...
... investigation into her death and his route , so he thinks , to wealth , depend upon a clue based on a Christina Rossetti poem , the solution to which equates the female body with a threatening corruption of the flesh . An aura of ...
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Abel Ferrara Alfred Hitchcock Anthony Mann Bardo Barton Palmer become Big Sleep Black Brian De Palma camera cause-and-effect characters City Coen Colfax complex crime films cycle Damico Dark David determinism discursive Double Indemnity dream Expressionism expressionist Femme Fatale film noir film's filmmakers flashback frame François French Fritz Fritz Lang gang genre German Gilda Grayle hard-boiled fiction heist Hollywood interpellations intertextual investigation James Joan Joel Coen John Johnny kill Killers Kitty Lang's Lantier Laure Laure's Love Song Madeleine Maltese Falcon Marlowe Marlowe's masculinity melodramas Michael Mike Mobley Moose movie Munby murder Naremore narration narrative neo-noir Night noir's noirish novel Pépé le moko plot poetic realism police Postman Always Rings produce protagonists relationship Rings Twice Riordan Robert Siodmak Scarlet Street Scottie screen sense sequence sexual shot simultaneously Sin City social story Strassenfilm Street suggests Swede tells thriller trajectory visual style voice-over Weimar cinema woman