Mikhail Larionov and the Cultural Politics of Late Imperial RussiaAshgate Publishing, Ltd., 2013 - 194 pagina's In the turbulent atmosphere of early twentieth-century Tsarist Russia, avant-garde artists took advantage of a newly pluralistic culture in order to challenge orthodoxies of form as well as social prohibitions. Very few did this as effectively, or to as broad an audience, as Mikhail Larionov. This groundbreaking study examines the complete range of his work (painting, book illustration, performance, and curatorial work), and demonstrates that Larionov was taking part in a broader cultural conversation that arose out of fundamental challenges to autocratic rule. |
Inhoudsopgave
Introduction | 1 |
The Face of the Exotic in Imperial Russia | 11 |
AvantGarde Resistance | 47 |
Abstraction and the Icon | 83 |
Excavating the Icon Pompeii | 111 |
Futurist Performance and Nationalism | 133 |
Conclusion | 171 |
179 | |
189 | |
Overige edities - Alles bekijken
Mikhail Larionov and the Cultural Politics of Late Imperial Russia Sarah Warren Gedeeltelijke weergave - 2017 |
Mikhail Larionov and the Cultural Politics of Late Imperial Russia Sarah Warren Gedeeltelijke weergave - 2017 |
Mikhail Larionov and the Cultural Politics of Late Imperial Russia Sarah Warren Geen voorbeeld beschikbaar - 2016 |
Veelvoorkomende woorden en zinsdelen
abstraction aesthetic Aleksei Kruchenykh Ancient Russian Art art revival Artists Rights Society audience authentic Benois Burliuk Byzantine century chto claimed critics cubism culture debate Donkey's Tail ethnic European Exhibition of Ancient Exhibition of Handicraft Exhibition of Icon face painting Gauguin's glossolalia Gypsy of Tiraspol Ibid Icon Patterns Imperial Russia iskusstvo Italian futurism Italian futurist Jack of Diamonds John Bowlt Katsap Katsap Venus Khlebnikov Kondakov Kruchenykh Lady and Maidservant Larionov and Goncharova late imperial Russia Livshits lubok Manet's Manifesto Marinetti Matisse Matisse's Mayakovsky Mikhail Larionov modernist primitivism Moscow Muratov Natalia Goncharova Nikolai Novgorod icons objects oil on canvas Orthodox painters Patterns and Lubki peasant poets political primitive primitivism primitivist rayism rayist paintings representation Romanov Russian artists Russian avant-garde Russian Futurism Russian futurists Russian imperial Russian national Second All-Russian Exhibition Shevchenko speech St Petersburg Target theater Tiraspol traditional Tugendkhol'd Turkish Lady Ukrainian University Press urban Vladimir Western York/ADAGP zaum