Max ErnstArts Council of Great Britain, 1961 - 71 pagina's |
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Pagina 19
... images together so as to create new and hallucinating visions . It was his aim to contrast images against each other and so add to the tension between conflicting realities . Many of these collages of 1919-20 were exhibited in Max ...
... images together so as to create new and hallucinating visions . It was his aim to contrast images against each other and so add to the tension between conflicting realities . Many of these collages of 1919-20 were exhibited in Max ...
Pagina 24
... images , Max Ernst discovered a means of merging the world of dreams with reality . Here his success lies in the unexpected violence of his imagery , which , as often happened , originated in fantasies of his childhood . Compare with ...
... images , Max Ernst discovered a means of merging the world of dreams with reality . Here his success lies in the unexpected violence of his imagery , which , as often happened , originated in fantasies of his childhood . Compare with ...
Pagina 26
... image in his painting , Max Ernst began to rely less on interpretations derived from his collages ( see No.28 ) and more ... images borrowed from various sources in order to transform their meaning . By this means he is able to produce ...
... image in his painting , Max Ernst began to rely less on interpretations derived from his collages ( see No.28 ) and more ... images borrowed from various sources in order to transform their meaning . By this means he is able to produce ...
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1925 Pencil frottage altered with gouache André Breton Arizona Benjamin Péret bibliography Birds Paris blind swimmer Brühl Cahiers d'Art catalogue collage novel Collection A.D.Mouradian Collection Dr Henry Collection Mme Simone Collection William N.Copley Cologne colour Copley DADA Dated Collection Mme Dated Private Collection Dated The artist Dorothea Tanning Doves Paris Dr Henry M.Roland drawings Editions Ernö Goldfinger Fatagaga Femme 100 Têtes Forest Paris friends frottage Histoire Naturelle Huismes images Informal Inscribed invention Julien Levy La Révolution Surréaliste landscape London Longpont-sur Loplop Loplop Introduces Paris Macke Max Ernst Mme Simone Collinet Modern Art Museum of Modern Night nightingale numbers Oil on board Oil on canvas Oil on paper Oil on wood Orge painter Paris Pasted paper Patrick Waldberg Paul Eluard Peinture phantoms picture poets Pornic published René Retrospective exhibition organized Révolution Surréaliste Roland Penrose Saint Martin d'Ardèche sculpture Sedona Seine-et-Oise Surrealism surrealist water-colour York