Thinking in Pictures: Dramatic Structure in D. W. Griffith's Biograph Films

Voorkant
University of California Press, 6 nov. 1989 - 212 pagina's
Thinking in Pictures shows for the first time, in rigorous shot-by-shot analyses, what Griffith really did--and allows us to understand the implications for film narrative in general. Anyone with an interest in early cinema will find the book compelling, but the text will also intrigue readers seeking understanding of film usages on a more general, theoretical level.
When Griffith began making films, the shot had been recognized as a basic element of film, the camera had a certain amount of freedom, transitional effects had been explored, audiences displayed an appetite for narrative. It was the synthesis of these elements, as Jesionowski traces it, that was Griffith's great achievement--for which he has always been honored by other filmmakers, by critics, and by audiences who continue to be moved and excited by his films. Thinking in Pictures shows for the first time, in rigorous shot-by-shot analyses, what Griffith really did--and allows us to understand the implications for film narrative in general. Anyone with an interest in early cinema will find the book compelling, but the text will also intrigue readers seeking understanding of film usages on a more general, theoretical level.
When Griffith began making films, the shot had been recognized as a basic element of film, the camera had a certain amount of freedom, transitional effects had been explored, audiences displayed an appetite for narrative. It was the synthesis of these elements, as Jesionowski traces it, that was Griffith's great achievement--for which he has always been honored by other filmmakers, by critics, and by audiences who continue to be moved and excited by his films.
 

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Inhoudsopgave

A Basic Shot
7
A Basic Line of Action
57
Basic Structures
99
A Basic Frame of Reference
141
The Organizational Moment
175
Copyright

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Over de auteur (1989)

Joyce E. Jesionowski is a writer who has worked in film and television in New York City, and taught film at Columbia University, Pratt Institute, and Hofstra University.

Bibliografische gegevens