Subjectivity

Voorkant
Willem van Reijen, Willem G. Weststeijn
Rodopi, 2000 - 330 pagina's
Subjectivity is one of the central issues of twentieth-century philosophy, literature and art. Modernism, which "discovered" the subconscious, put an end to the belief in the Cartesian Subject as the autonomous centre of knowledge and self-consciousness. Instead, the subject became something uncontrollable, unreliable, incomplete and fragmentary. The attempts to recapture the unity of the subject led to the existential quest and the flight into ideology (nazism, communism).
Postmodernism, the cultural movement of the second half of the twentieth century, did not consider the subject any longer as an important category. Attention was focused on the "I" and the "Other", on dialogism and polyphonism (Bakhtin). Ideology lost its appeal and so did the "great" stories (Lyotard).
In this issue of Avant-Garde Critical Studies the problem of subjectivity in twentieth-century culture is discussed from various angles by specialists in the field of philosophy, literature, film, music and dance.

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Inhoudsopgave

Introduction
1
Hubert van den Berg
29
Christine van Boheemen
59
Annelies Schulte Nordholt
81
Matthijs Engelberts
107
Willem G Weststeijn
169
Manfred Frank
193
Willem van Reijen
217
Boris Groys
235
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Pagina 75 - But, temporal or spatial, the esthetic image is first luminously apprehended as selfbounded and selfcontained upon the immeasurable background of space or time which is not it.
Pagina 108 - ... perhaps they have carried me to the threshold of my story, before the door that opens on my story...
Pagina 59 - Once upon a time and a very good time it was there was a moocow coming down along the road and this moocow that was coming down along the road met a nicens little boy named baby tuckoo . . . His father told him that story: his father looked at him through a glass: he had a hairy face.
Pagina 73 - He turned to the flyleaf of the geography and read what he had written there: himself, his name and where he was. Stephen Dedalus Class of Elements Clongowes Wood College Sallins County Kildare Ireland Europe The World The Universe...
Pagina 77 - He did not want to play, [jle wanted to meet in the real world the unsubstantial image which his soul so constantly beheld.
Pagina 75 - The first phase of apprehension is a bounding line drawn about the object to be apprehended. An esthetic image is presented to us either in space or in time. What is audible is presented in time, what is visible is presented in space.
Pagina 98 - I rose; and thus, at every moment there was one more of those innumerable and humble " selves " that compose our personality which was still unaware of Albertine's departure and must be informed of it; I was obliged — and this was more cruel than if they had been strangers and had not borrowed my sensibility to pain — to describe to all these
Pagina 70 - His very brain was sick and powerless. He could scarcely interpret the letters of the signboards of the shops. By his monstrous way of life he seemed to have put himself beyond the limits of reality. Nothing moved him or spoke to him from the real world unless he heard in it an echo of the infuriated cries within him. He could respond to no earthly or human appeal, dumb and insensible to the call of summer...
Pagina 63 - He sobbed loudly and bitterly. Stephen, raising his terrorstricken face, saw that his father's eyes were full of tears.

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