Virtue's Own Feature: Shakespeare and the Virtue Ethics TraditionUniversity of Delaware Press, 1995 - 260 pagina's "Using an historical approach, Virtue's Own Feature explores nine of Shakespeare's most successful works as representations of the passions, virtues, and vices as they are complexly and extensively set out by Aristotle and Thomas Aquinas." "The work first undertakes to describe the late Elizabethan poetic of Sir Philip Sidney, which is demonstrated to be Shakespeare's poetic as well. Second, this study explores Shakespeare's plays in relation to the Aristotelian-Thomistic tradition of moral philosophy, one important branch of a major sixteenth-century philosophical tradition."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
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Pagina 45
... becomes a “ part ” of justice , humility a part of temperance ) , he changes the nature and name of certain vices ( Aristotle's " illiberality " becomes the more interior “ avarice " ) , he adds certain virtues ( martyrdom becomes one ...
... becomes a “ part ” of justice , humility a part of temperance ) , he changes the nature and name of certain vices ( Aristotle's " illiberality " becomes the more interior “ avarice " ) , he adds certain virtues ( martyrdom becomes one ...
Pagina 114
... becomes quickly evident in the early stages of the play with the remarks of Gertrude , Claudius , and Hamlet himself . Its twofold origin is the death of his father and the rapid incestuous remarriage of his mother : ' Tis not alone my ...
... becomes quickly evident in the early stages of the play with the remarks of Gertrude , Claudius , and Hamlet himself . Its twofold origin is the death of his father and the rapid incestuous remarriage of his mother : ' Tis not alone my ...
Pagina 166
... becomes something of a mediator between Lear and his cruel daughters , and Edgar , at first the obvious counterpart to Cordelia , becomes by act 3 the contrasting figure with Lear by hiding himself and pursuing escape where Lear fool ...
... becomes something of a mediator between Lear and his cruel daughters , and Edgar , at first the obvious counterpart to Cordelia , becomes by act 3 the contrasting figure with Lear by hiding himself and pursuing escape where Lear fool ...
Inhoudsopgave
Preface | 9 |
Acknowledgments | 15 |
Sidneys Apology and Shakespeares Poetic | 21 |
Copyright | |
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