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Pagina 405
To do AM PAKISI Upper Stage Rear Stage Main Stage Jard 6 THE FORTUNE THEATRE , This drawing is reproduced simply as a diagram to facilitate discussion . The three galleries and their proportions , the width of the Stage ( 43 ft . ) ...
To do AM PAKISI Upper Stage Rear Stage Main Stage Jard 6 THE FORTUNE THEATRE , This drawing is reproduced simply as a diagram to facilitate discussion . The three galleries and their proportions , the width of the Stage ( 43 ft . ) ...
Pagina 410
Who can imagine actors leaving a stage of 43 by 27 feet un peopled and idle , while they carry on their business in a distant recess , measuring 15 by 13 feet ? ( Mr Godfrey's more probable dimensions are 17 by 7 feet . ) ...
Who can imagine actors leaving a stage of 43 by 27 feet un peopled and idle , while they carry on their business in a distant recess , measuring 15 by 13 feet ? ( Mr Godfrey's more probable dimensions are 17 by 7 feet . ) ...
Pagina 411
The uses of the Upper Stage , no less clearly limited than those of the Rear Stage , are equally misapprehended by Mr Chambers . Perhaps the most obvious error in his whole book is his assignment ( III , 115 ) of Falstaff's room at the ...
The uses of the Upper Stage , no less clearly limited than those of the Rear Stage , are equally misapprehended by Mr Chambers . Perhaps the most obvious error in his whole book is his assignment ( III , 115 ) of Falstaff's room at the ...
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Inhoudsopgave
CONTENTS OF Nos 476 AND | 1 |
Bureaucracy Triumphant | 2 |
The Poems of Andrew Lang | 3 |
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action actually appeared atom battle become bees belief British called carried cause century close common Company course Court criticism direction doubt earthquake East effect element enemy England English existence fact feel Fiume fleet force Foreign France French George German give given Government hand hope House human important interest Italian Italy Judges kind knowledge known Labour land League least less letters Liberal light living look Lord Morley matter means mind nature never once party passed peace perhaps play political position possible present probable question reason regard remained remarkable represented result seems sense side South spirit stage success things thought tion Treaty true turn Venice whole writers
Bibliografische gegevens
| Titel | The Quarterly Review, Volume 241 |
| Bijdragers | William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, William Smith, Sir John Murray IV, Rowland Edmund Prothero (Baron Ernle), George Walter Prothero |
| Uitgever | J. Murray, 1924 |
| Citatie exporteren | BiBTeX EndNote RefMan |