An Imperishable Heritage: British Choral Music from Parry to Dyson: A Study of Selected WorksRoutledge, 15 apr 2016 - 354 pagina's The rehabilitation of British music began with Hubert Parry and Charles Villiers Stanford. Ralph Vaughan Williams assisted in its emancipation from continental models, while Gerald Finzi, Edmund Rubbra and George Dyson flourished in its independence. Stephen Town's survey of Choral Music of the English Musical Renaissance is rooted in close examination of selected works from these composers. Town collates the substantial secondary literature on these composers, and brings to bear his own study of the autograph manuscripts. The latter form an unparalleled record of compositional process and shed new light on the compositions as they have come down to us in their published and recorded form. This close study of the sources allows Town to identify for the first time instances of similarity and imitation, continuities and connections between the works. |
Inhoudsopgave
The Embodiment | |
Context Design | |
An Inspired Setting Influential Exemplar | |
From Raw Intimations to Homogeneous | |
An Oxford Elegy by Ralph Vaughan | |
Requiem da Camera and Gerald Finzi | |
The visionary gleam Gerald Finzi Ralph Vaughan Williams and Intimations | |
Symphony No 9 Sinfonia Sacra by Edmund Rubbra | |
The Morning Watch Op 55 by Edmund Rubbra | |
A home of unfading splendour Quo Vadis by George Dyson 18831964 | |
George Dysons Nebuchadnezzar and the Stimulus of Parry Stanford and Walton | |
Bibliography | |
Overige edities - Alles bekijken
An Imperishable Heritage: British Choral Music from Parry to Dyson: A Study ... Stephen Town Gedeeltelijke weergave - 2016 |
An Imperishable Heritage: British Choral Music from Parry to Dyson: A Study ... Mr Stephen Town Gedeeltelijke weergave - 2012 |
An Imperishable Heritage: British Choral Music from Parry to Dyson : a Study ... Stephen Town Geen voorbeeld beschikbaar - 2012 |
Veelvoorkomende woorden en zinsdelen
Arnold autograph full score baritone bass beginning black ink Boosey British Library C.V. Stanford cantata Chapter Charles Stanford Charles Villiers Stanford choir choral music chord chorus clarinet College of Music composer's compositional Dibble Edmund Rubbra Elegiac Ode example Festival Flos Campi Folio fourth full score fols George Dyson Gerald Finzi harmonic Harnham harp Holst Hubert Parry hymn Ibid instrumental interlude Intimations of Immortality Kennedy lines London Lord major measures Mellers melodic minor Morning Watch motif movement narrator Nebuchadnezzar notes Novello oratorio orchestral Oxford Elegy Parry's passage pencil piano poem poet Quo Vadis Ralph Vaughan Williams rehearsal letter rehearsal number Requiem da Camera revised Scholar-Gipsy setting Sinfonia Sacra sing solo soloists Song soprano stanza Stephen Banfield Symphony tenor thee theme third thou Three Holy Children Thyrsis tonal Ursula Vaughan Williams viola violin Vision Voces Clamantium Voices Williams's words writing written