Roman Sexualities

Voorkant
Judith P. Hallett, Marilyn B. Skinner
Princeton University Press, 28 dec 1997 - 343 pagina's
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This collection of essays seeks to establish Roman constructions of sexuality and gender difference as a distinct area of research, complementing work already done on Greece to give a fuller picture of ancient sexuality. By applying feminist critical tools to forms of public discourse, including literature, history, law, medicine, and political oratory, the essays explore the hierarchy of power reflected so strongly in most Roman sexual relations, where noblemen acted as the penetrators and women, boys, and slaves the penetrated. In many cases, the authors show how these roles could be inverted--in ways that revealed citizens' anxieties during the days of the early Empire, when traditional power structures seemed threatened.

In the essays, Jonathan Walters defines the impenetrable male body as the ideational norm; Holt Parker and Catharine Edwards treat literary and legal models of male sexual deviance; Anthony Corbeill unpacks political charges of immoral behavior at banquets, while Marilyn B. Skinner, Ellen Oliensis, and David Fredrick trace linkages between social status and the gender role of the male speaker in Roman lyric and elegy; Amy Richlin interrogates popular medical belief about the female body; Sandra R. Joshel examines the semiotics of empire underlying the historiographic portrayal of the empress Messalina; Judith P. Hallett and Pamela Gordon critique Roman caricatures of the woman-desiring woman; and Alison Keith discovers subversive allusions to the tragedy of Dido in the elegist Sulpicia's self-depiction as a woman in love.

 

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Geselecteerde pagina's

Inhoudsopgave

Invading the Roman Body Manliness and Impenetrability in Roman Thought
29
The Teratogenic Grid
47
Unspeakable Professions Public Performance and Prostitution in Ancient Rome
66
Dining Deviants in Roman Political Invective
99
Ego mulier The Construction of Male Sexuality in Catullus
129
The Erotics of amicitia Readings in Tibullus Propertius and Horace
151
Reading Broken Skin Violence in Roman Elegy
172
Plinys Brassiere
197
Female Desire and the Discourse of Empire Tacituss Messalina
221
Female Homoeroticism and the Denial of Roman Reality in Latin Literature
255
The Lovers Voice in Heroides 15 Or Why Is Sappho a Man?
274
Tandem venit amor A Roman Woman Speaks of Love
295
BIBLIOGRAPHY
311
NOTES ON CONTRIBUTORS
333
INDEX
335
Copyright

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Populaire passages

Pagina 221 - I lived with that woman upstairs four years, and before that time she had tried me indeed: her character ripened and developed with frightful rapidity; her vices sprang up fast and rank: they were so strong, only cruelty could check them, and I would not use cruelty. What a pigmy intellect she had, and what giant propensities! How fearful were the curses those propensities entailed on me! Bertha Mason, the true daughter of an infamous mother, dragged me through all the hideous and degrading agonies...
Pagina 191 - Nevertheless, as this article has argued, the structure of looking in narrative fiction film contains a contradiction in its own premises: the female image as a castration threat constantly endangers the unity of the diegesis and bursts through the world of illusion as an intrusive, static, onedimensional fetish.
Pagina 155 - Messalla, marique, ut domus hostiles praeferat exuvias: 55 me retinent vinctum formosae vincla puellae, et sedeo duras ianitor ante fores, non ego laudari curo, mea Delia; tecum dum modo sim, quaeso segnis inersque vocer.
Pagina 79 - Hoc igitur modo etiam a theatro separamur, [99'] quod est privatum consistorium inpudicitiae, ubi nihil probatur quam quod alibi non probatur. Ita summa gratia eius de spurcitia plurimum concinnata est, quam Atellanus gesticulatur, quam mimus etiam per muliebres res repraesentat, sensum sexus et pudoris exterminans, ut facilius domi quam in scaena erubescant, quam denique pantomimus a pueritia patitur ex corpore, ut artifex esse possit. Ipsa etiam prostibula, publicae libidinis hostiae, in scaena...
Pagina 298 - Si bene quid de te merui, fuit aut tibi quicquam Dulce meum, miserere domus labentis et istam, Oro, si quis adhuc precibus locus, exue mentem. Te propter Libycae gentes Nomadumque tyranni Odere, infensi Tyrii; te propter eundem Exstinctus pudor et, qua sola sidera adibam, Fama prior.
Pagina 306 - At regina gravi iamdudum saucia cura Vulnus alit venis, et caeco carpitur igni. Multa viri virtus animo, multusque recursat Gentis honos ; haerent infixi pectore vultus Verbaque, nee placidam membris dat cura quietem.
Pagina 174 - One part of a fragmented body destroys the Renaissance space, the illusion of depth demanded by the narrative; it gives flatness, the quality of a cut-out or icon, rather than verisimilitude, to the screen.
Pagina 167 - ... aeque nee superstes integer? ille dies utramque ducet ruinam. non ego perfidum dixi sacramentum: ibimus, ibimus, 10 utcumque praecedes, supremum carpere iter comites parati.

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