The Mathematics of Novelty: Badiou's Minimalist Metaphysics

Voorkant
re.press, 2008 - 159 pagina's
The Mathematics of Novelty: Badiou’s Minimalist Metaphysics tackles the issue of philosophical materialism in Gilles Deleuze and Alain Badiou, enquiring after the source and nature of the ‘novelty’ that both philosophers of multiplicity claim to discover in the objective world. In this characteristically erudite analysis, Sam Gillespie maintains that where novelty in Deleuze is ultimately located in a Leibnizian affirmation of the world, for Badiou, the new, which is the coming-to-be of a truth, must be located exterior to the ‘situation’, i.e. in the void. Following a lucid presentation of the central concepts of Badiou’s philosophy as they relate to ...
 

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Pagina 39 - I. xxi. and other places, it is plain that our mind, in so far as it understands, is an eternal mode of thinking, which is determined by another eternal mode of thinking, and this other by a third, and so on to infinity ; so that all taken together at once constitute the eternal and infinite intellect of God.
Pagina 89 - Before approaching, with any degree of certainty, a science, or novels, or political speeches, or the ceuvre of an author, or even a single book, the material with which one is dealing is, in its raw, neutral state, a population of events in the space of discourse in general. One is led therefore to the project of a pure description of discursive events as the horizon for the search for the unities that form within it.
Pagina 114 - A satisfaction of this kind, such as an artist's joy in creating, in giving his phantasies body, or a scientist's in solving problems or discovering truths, has a special quality which we shall certainly one day be able to characterize in metapsychological terms. At present we can only say figuratively that such satisfactions seem 'finer and higher'.
Pagina 2 - It is not formed but posits itself in itself - it is self-positing. Creation and self-positing mutually imply each other because what is truly created, from the living being to the work of art, thereby enjoys a self-positing of itself, or an autopoetic characteristic by which it is recognised.
Pagina 38 - But the order and connection of ideas is the same as the order and connection of causes (Prop.
Pagina 89 - First of all, a breach of self-evidence. It means making visible a singularity at places where there is a temptation to invoke a historical constant, an immediate anthropological trait, or an obviousness that imposes itself uniformly on all.
Pagina 114 - Sublimation is nonetheless satisfaction of the drive, without repression. In other words — for the moment, I am not fucking, I am talking to you. Well! I can have exactly the same satisfaction as if I were fucking. That's what it means. Indeed, it raises the question of whether in fact I am not fucking at this moment. Between these two terms — drive and satisfaction — there is set up an extreme antinomy that reminds us that the use of the function of the drive has...
Pagina 6 - Bergson's conclusion is very different: if the whole is not giveable, it is because it is the Open, and because its nature is to change constantly, or to give rise to something new, in short, to endure.
Pagina 37 - By substance I understand what is in itself and is conceived through itself, that is, that whose concept does not require the concept of another thing, from which it must be formed.
Pagina 17 - A number has a limit and it is to that extent that it is infinite. It is quite clear that Achilles can only pass the tortoise - he cannot catch up with it. He only catches up with it at infinity (infinitude).

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