Eubulus, his character, No. 49. Eucrate, the favourite of Pharamond, No. 76. F FABLE of the lion and the man, No. 11. Of the children and frogs, Falsehood (the goddess of), No. 63. False wit, the region of it, No. 25. Fashion, the force of it, No. 64. Fear of death often mortal, No. 25. Fine gentleman; a character frequently misapplied by the fair sex, No. 75. Flutter (Sir Foppling), a comedy, some remarks upon it, No. 65. Freeport (Sir Andrew), a member of the Spectator's Club, No. 2. G GALLANTRY; wherein true gallantry ought to consist, No. 7. Gospel gossips described, No. 46. Goths in poetry, who, No. 62. H HANDKERCHIEF, the great machine for moving pity in a tra- Happiness (true), an enemy to pomp and noise, No. 15. Hard words ought not to be pronounced right by well bred ladies, No. 45. Heroes in an English tragedy generally lovers, No. 40. Hobbes (Mr) his observation upon laughter, No. 47. Honeycomb (Will), his character, No. 2. His discourse with the Human nature the same in all reasonable creatures, No. 70. I IAMBIC verse, the most proper for Greek tragedies, No. 39. Idiots in great request in most of the German courts, No. 47. Impudence gets the better of modesty, No. 2. An impudence com Indian kings, some of their observations during their stay here, No. Indiscretion, more hurtful than ill-nature, No. 23. Injuries, how to be measured, No. 23. Inkle and Yarico, their story, No. 11. Innocence and not quality, an exemption from reproof, No. 34. K KIMBOW (Tho.) states his case in a letter to the Spectator, No. 24% L LADY's library described, No. 37. Lætitia and Daphne, their story, No. 33. Lampoons written by people that cannot spell, No. 16. Witty lam Lath (Squire) has a good estate which he would part withal for a Laughter (immoderate), a sign of pride, No. 47. The provocations Lawyers divided into the peaceable and litigious, No. 21. Lear (King), a tragedy, suffers in the alteration, No. 40. Lee the poet well turned for tragedy, No. 39. Learning ought not to claim any merit to itself, but upon Both the ap- Leonora, her character, No. 37. The description of her country- Letters to the Spectator; complaining of the masquerade, No. 8. meniber of the Amorous Club at Oxford, 30. from a member of Letter-droppers of antiquity, who, No. 59,- Life, the duration of it uncertain, No. 275 Lindamira, the only woman allowed to paint, No. 41. Lion in the Hay-Market occasioned many conjectures in the town, London an emporium for the whole earth, No. 69, Love, the general concern of it, No. 30. Love of the world, our hearts misled by it, No. 27: Luxury, what, No. 55. attended often with avarice, ibid. a fable of those two vices, ibid. Loungers, a new sect of philosophers in Cambridge, No 54. M MAN a sociable animal, No. 9. the loss of public and private virtues Masquerade, a complaint against it, No. 8. The design of it, ibid. Merchants of great benefit to the public, No. 69. Mixt wit described, No. 62. Mixt communion of men and spirits in paradise, as described by Mode, on what it ought to be built, No. 6. Modesty, the chief ornament of the fair sex, No. 6. Moliere made an old woman a judge of his plays, No 70. Monuments in Westminster-Abbey examined by the Spectator, No. 26. Mourning, the method of it considered, No. 64. Who the greatest Music banished by Plato out of his commonwealth, No. 18. Of a N NEIGHBOURHOODS, of whom consisting, No. 49. New-River, a project for bringing it into the playhouse, No. 5. OATES (Dr), a favourite with some party ladies, No. 57. Old maids generally superstitious, No. 7. Old Testament in a peruke, No. 58. Opera, as it is the present entertainment of the English stage, con- Otway commended and censured, No. 39. Overdo, a justice at Epping, offended at the company of strollers Oxford scholar, his great discovery in a coffee-house, No. 46. P PAINTER and Tailor often contribute more than the poet to the Parents, their taking a liking to a particular profession, often occa- Parties crept much into the conversation of the ladies, No. 57. bad for the face, ibid. Particles (English), the honour done to them in the late operas, No. 18. Passions, the conquest of them a difficult task, No. 71. Peace, some ill consequences of it, No. 45. Peepers described, No. 53. Pharamond, memoirs of his private life, No. 76. his great wisdom, Philautia a great votary, No. 79. Philosophy, the use of it, No. 7. said to be brought by Socrates Physician and Surgeon, their different employments, No. 16. the Picts, what women so called, No. 41. no faith to be kept with Pinkethman to personate King Porus on an elephant, No. 31. Poets (English) reproved, No. 39, 40. Their artifices, 44. Powell (senior) to act Alexander the Great on a dromedary, No. 31. Powell (junior), his great skill in motions, No. 14. His performance Fraise, the love of it implanted in us, No. 38. Pride, a great enemy to a fine face, No. 33. Professions, the three great ones overburdened with practitioners, Projector, a short description of one, No. 31. Punchinello frequented more than the church, No. 14. Punch out Punning much recommended by the practice of all ages, No. 61. e QUALITY no exemption from reproof, No. 34. R RANTS considered as blemishes in our English tragedies, No. 40. Recitativo (Italian), not agreeable to an English audience, No. 29. Retirement, the pleasure of it, where truly enjoyed, No. 4. S SALMON (Mrs), her ingenuity, No. 28. Sanctorius, his invention, No. 25. Scholar's egg, what so called, No.58. Sempronia, a professed admirer of the French nation, No. 45. : Sentry (Captain), a member of the Spectator's Club, his character, |