The Tone ClockTaylor & Francis, 1993 - 393 pagina's In addition, The Tone Clock contains a broad selection of Peter Schat's polemical writings, embracing historical, political, aesthetic and environmental perspectives. His book is not just of interest to composers, but it also provides a valuable insight for anyone interested in the development of twentieth-century music. |
Inhoudsopgave
Circular Fragment of a Theory | 1 |
The Dream of Reason | 7 |
The Reason of a Dream | 11 |
First Symphony | 24 |
Monkey Subdues the White Bone Demon | 32 |
The Tone Clock | 57 |
Chromatica I The Regime of the Triad | 74 |
Steering | 82 |
Requiem over the Holland Deep | 211 |
Chromatic Opera | 220 |
The Chromatic Gamelan | 228 |
The Perestroicum | 239 |
Breath a Metaphor | 254 |
Towards a New Renaissance | 270 |
The Social Acoustic | 277 |
The OneNote State | 287 |
Deep Structures | 92 |
The Stairway in the Jungle | 98 |
Soap Forever | 105 |
Rhythm is Free | 111 |
Symposion | 118 |
The Opening Chord | 177 |
Theme on the Wall | 194 |
The Masterchild | 199 |
Musical Time and Musicality | 205 |
The Personal Note | 291 |
Self Portrait in B | 302 |
The Right Note | 307 |
Interview with Francis Strauven | 330 |
Beyond the Style Breach | 344 |
Heaven | 361 |
Appendix | 374 |