The Tone Clock

Voorkant
Taylor & Francis, 1993 - 393 pagina's

In addition, The Tone Clock contains a broad selection of Peter Schat's polemical writings, embracing historical, political, aesthetic and environmental perspectives. His book is not just of interest to composers, but it also provides a valuable insight for anyone interested in the development of twentieth-century music.
Peter Schat, a former pupil of Pierre Boulez, exposes more than a new theory of music in The Tone Clock. Although he is a long-experienced serialist composer, in devising and using his tone clock system he has reached the clarity and simplicity which comprise two of his major compositional aims. His book, profusely illustrated with clearly analysed musical examples, will enable other composers to achieve similar aims in their own way, while remaining faithful to their own musical personalities.
A former pupil of Pierre Boulez, Peter Schat is a well-known Dutch contemporary serialist composer.

 

Inhoudsopgave

Circular Fragment of a Theory
1
The Dream of Reason
7
The Reason of a Dream
11
First Symphony
24
Monkey Subdues the White Bone Demon
32
The Tone Clock
57
Chromatica I The Regime of the Triad
74
Steering
82
Requiem over the Holland Deep
211
Chromatic Opera
220
The Chromatic Gamelan
228
The Perestroicum
239
Breath a Metaphor
254
Towards a New Renaissance
270
The Social Acoustic
277
The OneNote State
287

Deep Structures
92
The Stairway in the Jungle
98
Soap Forever
105
Rhythm is Free
111
Symposion
118
The Opening Chord
177
Theme on the Wall
194
The Masterchild
199
Musical Time and Musicality
205
The Personal Note
291
Self Portrait in B
302
The Right Note
307
Interview with Francis Strauven
330
Beyond the Style Breach
344
Heaven
361
Appendix
374
Copyright

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