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will serve to show how far the comparison, which this expression implies, holds; and wherein it fails. And whether the distinction be thought of importance or not, it is certainly of importance to remember, that there is neither truth nor justice in endeavouring to bring a cloud over our understandings, or a distrust into our reasonings upon this subject, by suggesting that we know nothing of voluntary motion, of irritability, of the principle of life, of sensation, of animal heat, upon all which the animal functions depend; for, our ignorance of these parts of the animal frame concerns not at all our knowledge of the mechanical parts of the same frame. I contend, therefore, that there is mechanism in animals; that this mechanism is as properly such, as it is in machines made by art; that this mechanism is intelligible and certain; that it is not the less so, because it often begins or terminates with something which is not mechanical; that whenever it is intelligible and certain, it demonstrates intention and contrivance, as well in the works of nature, as in those of art; and that it is the best demonstration which either can afford. But whilst I contend for these propositions, I do not exclude myself from asserting, that

there may be, and that there are, other cases, in which although we cannot exhibit mechanism, or prove indeed that mechanism is employed, we want not sufficient evidence to conduct us to the same conclusion. There is what may be called the chymical part of our frame; of which by reason of the imperfection of our chymistry, we can attain to no distinct knowledge; I mean, not to a knowledge, either in degree or kind, similar to that which we possess of the mechanical part of our frame. It does not, therefore, afford the same species of argument as that which mechanism affords; and yet it may af. ford an argument in a high degree satisfactory. The gastric juice, or the liquor which digests the food in the stomachs of animals, is of this class. Of all menstrua, it is the most actiye, the most universal. In the human stomach, for instance, consider what a variety of strange substances, and how widely different from one another, it, in a few hours, reduces to a uniform pulp, milk, or mucilage. It seizes upon every thing, it dissolves the texture of almost every thing that comes in its way. The flesh of perhaps all animals; the seeds and fruits of the greatest number of plants; the roots, and stalks, and leaves of many, hard and tough as they are, yield to its powerful pervasion. The change wrought by it is different from any chymical solution which we can produce, or with which we are acquainted, in this respect as well as many others, that, in our chymistry, particular menstrua act only upon particular substances. Consider moreover that this fluid, stronger in its operation than a caustic alkali or mineral acid, than red precipitate, or aqua-fortis itself, is nevertheless as mild, and bland, and inoffensive to the touch or taste, as saliva or gum-water, which it much resembles. Consider, I say, these several properties of the digestive organ, and of the juice with which it is supplied, or rather with which it is made to supply itself, and you will confess it to be entitled to a name, which it has sometimes received, that of “the chymical wonder of animal nature.” Still we are ignorant of the composition of this fluid, and of the mode of its action; by which is meant that we are not capable, as we are in the mechanical part of our frame, of collating it with the operations of art. And this I call the imperfection of our chymistry; for, should the time ever arrive, which is not perhaps to be despaired of, when we can compound ingredients, so as to form a solvent which will act in the manner in

which the gastric juice acts, we may be able to ascertain the chymical principles upon which its efficacy depends, as well as from what part, and by what concoction, in the human body, these principles are generated and derived. - ~

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In the mean time, ought that, which is in

truth the defect of our chymistry, to hinder

us from acquiescing in the inference, which

a production of nature, by its place, its properties, its action, its surprising efficacy, its invaluable use, authorizes us to draw in respect of a creative design? I , Another most subtile and curious function of animal bodies is secretion. This function is semi-chymical and semi-mechanical; exceedingly important and diversified in its effects, but obscure in its process and in its apparatus. The importance of the secretory organs is but too well attested by the diseases, which an excessive, a deficient, or a vitiated secretion is almost sure of producing. A single secretion being wrong, is enough to make life Iniserable, or sometimes to destroy it. Nor is the variety less than the importance. From one and the same blood (I speak of the human body) about twenty different fluids are separated; in their sensible properties, in taste, smell, colour, and consistency, the most unlike one another that is possible: thick, thin, salt, bitter, sweet: and, if from our own we pass to other species of animals, we find amongst their secretions not only the most various, but the most opposite properties; the most nutritious aliment, the deadliest poison; the sweetest perfumes, the most foetid odours. Of these the greater part, as the gastric juice, the saliva, the bile, the slippery mucilage which lubricates the joints, the tears which moistens the eye, the wax which defends the ear, are, after they are secreted, made use of in the animal oeconomy; are evidently subservient, and are actually contributing to the utilities of the animal itself. Other fluids seem to be separated only to be rejected. That this also is necessary (though why it was originally necessary, we cannot tell) is shown by the consequence of the separation being long suspended; which consequence is disease and death. Akin to secretion, if not the same thing, is assimilation, by which one and the same blood is converted into bone, muscular flesh, nerves, membranes, tendons; things as different as the wood and iron, canvass and cordage, of - which a ship with its furniture is composed. We have no operation of art wherewith exactly to compare all this, for no other reason per

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