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Arose from powder, shreds, or lace:
But still the worst remained behind,
That very face had robbed her mind.
Skilled in no other arts was she,
But dressing, patching, repartee;
And, just as humour rose or fell,
By turns a slattern or a belle.
'Tis true she dressed with modern grace,
Half naked at a ball or race;

But when at home, at board or bed,
Five greasy night-caps wrapped her head.
Could so much beauty condescend
To be a dull domestic friend?
Could any curtain lectures bring
To decency so fine a thing?

In short, by night 'twas fits or fretting;
By day 'twas ga lding or coquetting.
Fond to be seen, she kept a bevy
Of powdered coxcombs at her levy :
The 'squire and captain took their stations,
And twenty other near relations :
Jack sucked his pipe and often broke
A sigh in suffocating smoke;
While all their hours were passed between
Insulting repartee or spleen.

Thus as her faults each day were known,
He thinks her features coarser grown;
He fancies every vice she shows
Or thins her lip, or points her nose :
Whenever rage or envy rise,—
How wide her mouth, how wild her eyes!
He knows not how, but so it is,
Her face is grown a knowing phiz ;
And, though her fops are wondrous civil,
He thinks her ugly as the devil.

Now to perplex the ravelled noose, As each a different way pursues, While sullen or loquacious strife Promised to hold them on for life, That dire disease, whose ruthless pow Withers the beauty's transient flowerLo! the small pox, whose horrid glare Levelled its terrors at the fair; And, rifling every youthful grace, Left but the remnant of a face.

The glass, grown hateful to her sight Reflected now a perfect fright; Each former art she vainly tries To bring back lustre to her eyes; In vain she tries her paste and creams, To smooth her skin or hide its seams; Her country beaux and city cousins, Lovers no more, flew off by dozens ; The 'squire himself was seen to yield, And even the captain quit the field.

Poor madam, now condemned to hack The rest of life with anxious Jack, Perceiving others fairly flown, Attempted pleasing him alone. Jack soon was dazzled to behold Her present face surpass the old : With modesty her cheeks are dyed; Humility displaces pride; For tawdry finery is seen A person ever neatly clean: No more presuming on her sway, She learns good-nature every day: Serenely gay, and strict in duty, Jack finds his wife a perfect beauty.

A NEW SIMILE. IN THE MANNER OF SWIFT.

LONG had I sought in vain to find
A likeness for the scribbling kind;
The modern scribbling kind, who write
In wit, and sense, and nature's spite;
Till reading, I forget what day on,
A chapter out of Tooke's Pantheon,
I think I met with something there
To suit my purpose to a hair:
But let us not proceed too furious,
First please to turn to God Mercurius !
You'll find him pictured at full length
In book the second, page the tenth:
The stress of all my proofs on him I lay,
And now proceed we to our simile.

Imprimis, pray observe his hat, Wings upon either side-mark that. Well! what is it from thence we gather? Why, these denote a brain of feather. A brain of feather! very right, With wit that's flighty, learning light ; Such as to modern bard's decreed; A just comparison,--proceed.

In the next place, his feet peruse, Wings grow again from both his shoes; Designed, no doubt, their part to bear, And waft his godship through the air : And here my simile unites : For in the modern poet's flights,

I'm sure it may be justly said,
His feet are useful as his head.

Lastly, vouchsafe t' observe his hand,
Filled with a snake-encircled wand,
By classic authors termed Caduceus,
And highly famed for several uses.
To wit: most wondrously endued,
No poppy-water half so good;
For let folks only get a touch,
Its soporific virtue's such,
Though ne'er so much awake before,
That quickly they begin to snore.
Add too, what certain writers tell,
With this he drives men's souls to hell.

Now to apply begin we then :—
His wand's a modern author's pen:
The serpents round about it twined
Denote him of the reptile kind,

Denote the rage with which he writes;
His frothy slaver, venomed bites;
An equal semblance still to keep,
Alike, too, both conduce to sleep.
This difference only, as the god
Drove souls to Tart'rus with his rod,
With his goose-quill the scribbling elf,
Instead of others, damns himself.

And here my simile almost tript,
Yet grant a word by way of postscript.
Moreover Mercury had a failing:
Well! what of that? out with it-stealing;
In which all modern bards agree,
Being each as great a thief as he.
But even this deity's existence
Shall lend my simile assistance:
Our modern bards! why, what a pox
Are they but senseless stones and blocks?

DESCRIPTION OF AN AUTHOR'S BEDCHAMBER.

WHERE the Red Lion, flaring o'er the way,

Invites each passing stranger that can pay,

Where Calvert's butt and Parson's black champagne
Regale the drabs and bloods of Drury-lane;
There, in a lonely room, from bailiffs snug,

The Muse found Scroggen stretched beneath a rug.
A window, patched with paper, lent a ray,
That dimly showed the state in which he lay;
The sanded floor that grits beneath the tread;
The humid wall with paltry pictures spread;
The royal Game of Goose was there in view,
And the Twelve Rules the royal martyr drew;
The Seasons, framed with listing, found a place,
And brave Prince William showed his lamp-black face:
The morn was cold, he views with keen desire

The rusty grate unconscious of a fire:

With beer and milk arrears the frieze was scored,

And five cracked teacups dressed the chimney board :
A night-cap decked his brows instead of bay;

A cap by night--a stocking all the day!

ELEGY ON THE DEATH OF A MAD DOG.

GOOD people all, of every sort,

Give ear unto my song;
And if you find it wondrous short,—
It cannot hold you long.

In Islington there was a man,

Of whom the world might say,
That still a godly race he ran,

Whene'er he went to pray.

A kind and gentle heart he had,
To comfort friends and foes;
The naked every day he clad,

When he put on his clothes.

And in that town a dog was found,
As many dogs there be,
Both mongrel, puppy, whelp, and hound,
And curs of low degree.

This dog and man at first were friends;
But when a pique began,
The dog, to gain some private ends,
Went mad, and bit the man.

STANZAS.

WHEN lovely Woman stoops to folly,
And finds too late that men betray,
What charm can soothe her melancholy,
What art can wash her guilt away?

Around from all the neighbouring streets
The wondering neighbours ran,
And swore the dog had lost his wits,
To bite so good a man.

The wound it seemed both sore and sad
And while they swore the dog was mad,
To every Christian eye;
They swore the man would die.

But soon a wonder came to light,
That showed the rogues they lied;
The man recovered of the bite,
The dog it was that died.

ON WOMAN.

The only art her guilt to cover,

To hide her shame from every eye,
To give repentance to her lover,
And wring his bosom-is, to die.

THE GIFT. TO IRIS, IN BOW-STREET, COVENT-GARDEN.
IMITATED FROM THE FRENCH.

SAY, cruel Iris, pretty rake,

Dear mercenary beauty,
What annual offering shall I make
Expressive of my duty?

My heart, a victim to thine eyes,

Should I at once deliver,
Say, would the angry fair one prize
The gift, who slights the giver?

A bill, a jewel, watch, or toy,

My rivals give-and let 'em ;
If gems, or gold, impart a joy,

I'll give them-when I get 'em.

I'll give-but not the full-blown rose,
Or rose-bud more in fashion;
Such short lived offerings but disclose
A transitory passion.

I'll give thee something yet unpaid,

Not less sincere than civil :
I'll give thee-ah! too charming maid,
I'll give thee-to the devil.

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EPILOGUE TO "THE SISTER."

SPOKEN BY MRS. BULKLEY.

WHAT? five long acts-and all to make us wiser!
Our authoress sure has wanted an adviser.
Had she consulted me, she should have made
Her moral play a speaking masquerade;
Warmed up each bustling scene, and in her rage
Have emptied all the green-room on the stage.
My life on't, this had kept her play from sinking;
Have pleased our eyes, and saved the pain of thinking.
Well, since she thus has shown her want of skill,
What if I give a masquerade?—I will.

But how? ay, there's the rub! pausing]-I've got my cue;
The world's a masquerade! the masquers, you, you, you.

[To Boxes, Pit, and Gallery.

Lud! what a group the motley scene discloses !

False wits, false wives, false virgins, and false spouses!
Statesmen with bridles on; and, close beside 'em,
Patriots in partly-coloured suits that ride 'em.

There Hebes, turned of fifty, try once more
To raise a flame in Cupids of threescore.
These in their turn, with appetites as keen,
Deserting fifty, fasten on fifteen.

Miss, not yet full fifteen, with fire uncommon,

Flings down her sampler, and takes up the woman;
The little urchin smiles, and spreads her lure,
And tries to kill, ere she's got power to cure.
Thus 'tis with all: their chief and constant care

Is to seem everything-but what they are.

Yon broad, bold, angry spark I fix my eye on,

Who seems t' have robbed his vizor from the lion,

Who frowns, and talks, and swears, with round parade,

Looking, as who should say, Dam'me! who's afraid? [Mimicking.

Strip but this vizor off, and sure I am

You'll find his lionship a very lamb.

Yon politician, famous in debate,

Perhaps, to vulgar eyes, bestrides the state;
Yet, when he deigns his real shape t' assume,
He turns old woman, and bestrides a broom.
Yon patriot, too, who presses on your sight,
And seems, to every gazer, all in white,
If with a bribe his candour you attack,

He bows, turns round, and whip-the man's a black!
Yon critic, too-but whither do I run?

If I proceed, our bard will be undone !

Well, then, a truce, since she requests it too :

Do you spare her, and I'll for once spare you.

INTENDED EPILOGUE TO "SHE STOOPS TO CONQUER."

Enter MRS. BULKLEY, who curtsies very low as beginning to speak. Then enter MISS CATLEY, who stands full before her, and curtsies to the Audience.

Mrs. BUL. Hold, Ma'am, your pardon. What's your business here?
Miss CAT. The Epilogue.

Mrs. BUL. The Epilogue?

Miss CAT. Yes, the Epilogue, my dear.

Mrs. BUL. Sure you mistake, Ma'am.

The Epilogue! I bring it.

Miss CAT. Excuse me, Ma'am. The Author bid me sing it.

RECITATIVE.

Ye beaux and belles, that form this splendid ring,
Suspend your conversation while I sing.

Mrs. BUL. Why, sure the girl's beside herself! an Epilogue of singing?
A hopeful end indeed to such a blest beginning.
Besides, a singer in a comic set !—

Excuse me, Ma'am, I know the etiquette.

MISS CAT. What if we leave it to the House?

Mrs. BUL. The House !-Agreed.

Miss CAT. Agreed.

Mrs. BUL. And she whose party's largest shall proceed.
And first, I hope you'll readily agree

I've all the critics and the wits for me.
They, I am sure, will answer my commands:
Ye candid judging few, hold up your hands.
What! no return? I find too late, I fear,
That modern judges seldom enter here.

Miss CAT. I'm for a different set.-Old men, whose trade is
Still to gallant and dangle with the ladies.

RECITATIVE.

Who mump their passion, and who, grimly smiling,
Still thus address the fair with voice beguiling:

AIR.-Cotillon.

Turn, my fairest, turn, if ever
Strephon caught thy ravished eye.
Pity take on your swain so clever,
Who without your aid must die.

Yes, I shall die, hu, hu, hu, hu!
Yes, I must die, ho, ho, ho, ho!
Da capo.

Mrs. BUL. Let all the old pay homage to your merit:
Give me the young, the gay, the men of spirit.
Ye travelled tribe, ye macaroni train,
Of French friseurs and nosegays justly vain,

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