The Third Rose: Gertrude Stein and Her World |
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Pagina 141
But when the analysis is only a kind of funny business , the synthesis will be only
another kind of funny business . " The easiest and most obvious thing in denying
Gertrude Stein ' s attempt to approximate poetry with painting is to point out that ...
But when the analysis is only a kind of funny business , the synthesis will be only
another kind of funny business . " The easiest and most obvious thing in denying
Gertrude Stein ' s attempt to approximate poetry with painting is to point out that ...
Pagina 144
As in The Making of Americans , she is again concerned with the conviction that “
Everyone has in them a fundamental nature to them with a kind of way of thinking
that goes with this nature in them all the many millions made of that kind of ...
As in The Making of Americans , she is again concerned with the conviction that “
Everyone has in them a fundamental nature to them with a kind of way of thinking
that goes with this nature in them all the many millions made of that kind of ...
Pagina 178
Davidson ' s questions anticipate similar ones by later critics of Picasso and Stein
who felt that any shred of representational or programmatic content in their
respective works amounted to a kind of deliberate teasing , if not even a kind of ...
Davidson ' s questions anticipate similar ones by later critics of Picasso and Stein
who felt that any shred of representational or programmatic content in their
respective works amounted to a kind of deliberate teasing , if not even a kind of ...
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accepted Alice already American appearance artist asked attempt became become began beginning believe called career character completely continued course critic cubist early English everything experience expressed eyes fact famous feel felt finally Four French friends Gertrude Stein Gertrude's give hand happened hope human ideas important interest Italy James kind knew language later least less letter literary literature lived looked maquis Matisse matter means method mind Miss moved nature never objects once painters painting Paris perhaps period Picasso play portrait present published reader regarded relation remained reported rose Saints seemed sense simply soon stories success talk tell thing thought Three tion told took turned wanted writing written wrote young