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" Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone... "
Lord Byron and Some of His Contemporaries: With Recollections of the Author ... - Pagina 422
door Leigh Hunt - 1828 - 440 pagina’s
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The Christian Remembrancer, Volume 6

1843
...What struggle to escape ? What pipes and timbrels ? What wud ecstacy ? " Heard melodies are tweet, hut those unheard Are sweeter ; therefore, ye soft pipes, play on ; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone : Fair youth, beneath the trees, tbou canst not leave...
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The Monthly Review

Ralph Griffiths, George Edward Griffiths - 1820
...more pointed concetto than this address to the Piping Shepherds on a Grecian Urn ? ' Heard melodies are sweet, but those unheard Are sweeter ; therefore,...pipes, play on ; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone .•' but it would be irksome to point out all the...
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Annals of the Fine Arts, Volume 4

1820
...what dance ? what struggle to escape ? What Pipes and timbrels ? what wild extacy ? II. Heard melodies are sweet, but those unheard Are sweeter; therefore,...soft pipes, play on ; Not to the sensual ear but more endeared, Pipe to the spirit, ditties of no tone: Fair Youth, beneath the trees thou cans't not leave...
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The Republic of Letters: A Selection, in Poetry and Prose, from ..., Volume 2

Alexander Whitelaw - 1835
...unheard Are sweeter ; therefore, ye suft pipes, play on ; Mot to the sensual ear, but, more eudear'd, Pipe to the spirit ditties of no tone : Fair youth, beneath the trees, thou eanst not leave Thy song, nor ever t\m those trees be bare ; Eold Lover, never, never canst thou kiss,...
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The Book of Gems: Wordsworth to Bayly

Samuel Carter Hall - 1838
...mad pursuit ? What struggle to escape ? What pipes and timbrels ? What wild ecstasy ? Heard melodies are sweet, but those unheard Are sweeter ; therefore,...pipes, play on ; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone : Fair youth, beneath the trees, thou canst not leave...
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The Book of Gems: Wordsworth to Bayly

Samuel Carter Hall - 1838
...What struggle to escape ? What pipes and timhrels ? What wild ecstasy ? Heard melodies are sweet, hut those unheard Are sweeter ; therefore, ye soft pipes, play on ; Not to the sensual ear, hut, more endear'd, Pipe to the spirit ditties of no tone : Fair youth, beneath the trees, thou canst...
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Physic and Physicians: A Medical Sketch Book, Exhibiting the ..., Volume 1

Forbes Winslow - 1839
...upon which the author says, with an intensity of sentiment, * Life of Lord Byron. at once original in idea, and going home, like an old thought, to the...soft pipes play on; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone: Fair youth, beneath the trees, thou can'st not leave...
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The Christian Teacher, Volume 1

1839
...pursuit ? What struggle to escape ? What pipes and timbrels ? What wild ecstacy ? 2. Heard melodies are sweet, but those unheard Are sweeter ; therefore,...pipes, play on ; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone : Fair youth, beneath the trees, thou canst not leave...
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The Poetical Works of Howitt, Milman, and Keats: Complete in One Volume

Mary Botham Howitt - 1840 - 522 pagina’s
...rnnd pursuit? What struggle to escape! What pipes and timbrels? What wild eestasy I 2. Heard melodies are sweet, but those unheard Are sweeter; therefore,...tone : Fair youth, beneath the trees, thou canst not leavs Thy song, nor ever can those trees be bare ; Bold Lover, never, never canst thou kiss, Though...
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Selections from the British Poets, Volume 2

1840
...mad pursuit * What struggle to escape ? What pipes and timbrels 1 What wild ecstasy ? Heard melodies are sweet, but those unheard Are sweeter ; therefore,...pipes, play on ; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone : Fair youth, beneath the trees, thou canst not leave...
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