Poetics: An Essay on PoetrySmith, Elder, and Company, 1969 - 294 pagina's |
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Pagina 112
... allowed that history is not the essential purpose of his art . The essential object of painting is not the True : it is the Beautiful . Mr Ruskin knows this very well , and , in the second volume of Modern Painters , he lays down his ...
... allowed that history is not the essential purpose of his art . The essential object of painting is not the True : it is the Beautiful . Mr Ruskin knows this very well , and , in the second volume of Modern Painters , he lays down his ...
Pagina 173
... allowed that the expression of poetry must go by measure , but they have not explained how and why by a measure of time . This I have already endeavoured to show under the first law . But if that endeavour have been successful ; if ima ...
... allowed that the expression of poetry must go by measure , but they have not explained how and why by a measure of time . This I have already endeavoured to show under the first law . But if that endeavour have been successful ; if ima ...
Pagina 175
... allowed to em- ploy the word bar as a general name for the dance or motion of verse between pause and pause — that is , be- tween the chief pauses , which in rhyme most often are placed , as they ought to be , at the end of each line ...
... allowed to em- ploy the word bar as a general name for the dance or motion of verse between pause and pause — that is , be- tween the chief pauses , which in rhyme most often are placed , as they ought to be , at the end of each line ...
Inhoudsopgave
Page | 14 |
The Law of Unconsciousness | 27 |
The Law of Imagination | 45 |
Copyright | |
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action activity Æneid Aristotle artist Bacon beautiful believe belongs Bishop Butler blank verse called chiefly Christian classical Clement of Rome commonly comparison conscience critics Divine doctrine doubt drama dramatic art dramatist Dugald Stewart effect endeavour English epic Euripides Euroclydon expression fact faculty faith former Freedom give Greek happiness heart heaven Homer human idea Iliad imagery imagination imitative Immortality influence instinct Jeremy Collier kinds of poesy language latter law of poetry least less look lyrical manner means metaphor metre mind modern narrative nature never object perhaps philosopher pleasure plurality poem poet poetic feeling present prose reality reason regard remarkable rhyme romantic self-consciousness sense Shakespere shown simile simply Sir Philip Sidney song Sophocles soul speak spirit stanza tell theory things Thomas à Kempis thought tion true truly truth uncon unconsciousness utterance whole words Wordsworth