Poetics: An Essay on PoetrySmith, Elder, and Company, 1969 - 294 pagina's |
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Pagina 85
... classical and the romantic dramas ; it lay , or was understood to lie , between the whole of classical art and the whole of romantic art ; and these issues , the lesser and the greater , seemed to be so interwoven , that whichever ...
... classical and the romantic dramas ; it lay , or was understood to lie , between the whole of classical art and the whole of romantic art ; and these issues , the lesser and the greater , seemed to be so interwoven , that whichever ...
Pagina 86
... classical and romantic , beyond the historical , implied a philosophical , distinction . They only implied it ... classical art is heathen , romantic art Christian , is a change of words without a stiver of gain . To say that classical ...
... classical and romantic , beyond the historical , implied a philosophical , distinction . They only implied it ... classical art is heathen , romantic art Christian , is a change of words without a stiver of gain . To say that classical ...
Pagina 87
... classical , there is also a divine poesy . This threefold instead of the two- fold division will make everything straight . For it is a notable circumstance that the controversy between the romantic and classical schools came to hinge ...
... classical , there is also a divine poesy . This threefold instead of the two- fold division will make everything straight . For it is a notable circumstance that the controversy between the romantic and classical schools came to hinge ...
Inhoudsopgave
Page | 14 |
The Law of Unconsciousness | 27 |
The Law of Imagination | 45 |
Copyright | |
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action activity Æneid Aristotle artist Bacon beautiful believe belongs Bishop Butler blank verse called chiefly Christian classical Clement of Rome commonly comparison conscience critics Divine doctrine doubt drama dramatic art dramatist Dugald Stewart effect endeavour English epic Euripides Euroclydon expression fact faculty faith former Freedom give Greek happiness heart heaven Homer human idea Iliad imagery imagination imitative Immortality influence instinct Jeremy Collier kinds of poesy language latter law of poetry least less look lyrical manner means metaphor metre mind modern narrative nature never object perhaps philosopher pleasure plurality poem poet poetic feeling present prose reality reason regard remarkable rhyme romantic self-consciousness sense Shakespere shown simile simply Sir Philip Sidney song Sophocles soul speak spirit stanza tell theory things Thomas à Kempis thought tion true truly truth uncon unconsciousness utterance whole words Wordsworth