Poetics: An Essay on PoetrySmith, Elder, and Company, 1969 - 294 pagina's |
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Pagina 123
... epic in their tone , and that modern sculptures are more truly dramatic ; that the ancient artists could not save themselves , but whether with the pencil or with the chisel would give a classical or epic meaning to their works , and ...
... epic in their tone , and that modern sculptures are more truly dramatic ; that the ancient artists could not save themselves , but whether with the pencil or with the chisel would give a classical or epic meaning to their works , and ...
Pagina 136
... epic . Bossu , Frenchman though he was , could yet define the epic to be an allegory ; and time would fail us to tell of all the hidden meanings that have been discovered in the different epics . According to one interpretation of the ...
... epic . Bossu , Frenchman though he was , could yet define the epic to be an allegory ; and time would fail us to tell of all the hidden meanings that have been discovered in the different epics . According to one interpretation of the ...
Pagina 141
... epic or classic school ; could indeed at his time be given only to such . These naturally called in the assistance of the gods , insomuch that'Euripides , the most epic of the Greek tragedians , has been severely handled , because ...
... epic or classic school ; could indeed at his time be given only to such . These naturally called in the assistance of the gods , insomuch that'Euripides , the most epic of the Greek tragedians , has been severely handled , because ...
Inhoudsopgave
Page | 14 |
The Law of Unconsciousness | 27 |
The Law of Imagination | 45 |
Copyright | |
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action activity Æneid Aristotle artist Bacon beautiful believe belongs Bishop Butler blank verse called chiefly Christian classical Clement of Rome commonly comparison conscience critics Divine doctrine doubt drama dramatic art dramatist Dugald Stewart effect endeavour English epic Euripides Euroclydon expression fact faculty faith former Freedom give Greek happiness heart heaven Homer human idea Iliad imagery imagination imitative Immortality influence instinct Jeremy Collier kinds of poesy language latter law of poetry least less look lyrical manner means metaphor metre mind modern narrative nature never object perhaps philosopher pleasure plurality poem poet poetic feeling present prose reality reason regard remarkable rhyme romantic self-consciousness sense Shakespere shown simile simply Sir Philip Sidney song Sophocles soul speak spirit stanza tell theory things Thomas à Kempis thought tion true truly truth uncon unconsciousness utterance whole words Wordsworth