Poetics: An Essay on PoetrySmith, Elder, and Company, 1969 - 294 pagina's |
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Pagina 207
... imagery : we have no guarantee that the kind of image employed in one part of a poem shall be the same in every other . Appeal must therefore be made to general ... imagery of the entire drama , so its imagery , strictly IMAGERY . 207.
... imagery : we have no guarantee that the kind of image employed in one part of a poem shall be the same in every other . Appeal must therefore be made to general ... imagery of the entire drama , so its imagery , strictly IMAGERY . 207.
Pagina 214
... imagery to embody ; as it is the object of epic imagery to compare ; so it is the object of lyrical imagery to animate . This it does by the use of met- aphor , of which the highest type is personification . The metaphorical cast of ...
... imagery to embody ; as it is the object of epic imagery to compare ; so it is the object of lyrical imagery to animate . This it does by the use of met- aphor , of which the highest type is personification . The metaphorical cast of ...
Pagina 215
... imagery follows of necessity from the very nature of a lyric . It has already been stated , that as the great end of the drama is to portray the Beautiful , it naturally adopts a style of imagery that represents place , form , figure ...
... imagery follows of necessity from the very nature of a lyric . It has already been stated , that as the great end of the drama is to portray the Beautiful , it naturally adopts a style of imagery that represents place , form , figure ...
Inhoudsopgave
Page | 14 |
The Law of Unconsciousness | 27 |
The Law of Imagination | 45 |
Copyright | |
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action activity Æneid Aristotle artist Bacon beautiful believe belongs Bishop Butler blank verse called chiefly Christian classical Clement of Rome commonly comparison conscience critics Divine doctrine doubt drama dramatic art dramatist Dugald Stewart effect endeavour English epic Euripides Euroclydon expression fact faculty faith former Freedom give Greek happiness heart heaven Homer human idea Iliad imagery imagination imitative Immortality influence instinct Jeremy Collier kinds of poesy language latter law of poetry least less look lyrical manner means metaphor metre mind modern narrative nature never object perhaps philosopher pleasure plurality poem poet poetic feeling present prose reality reason regard remarkable rhyme romantic self-consciousness sense Shakespere shown simile simply Sir Philip Sidney song Sophocles soul speak spirit stanza tell theory things Thomas à Kempis thought tion true truly truth uncon unconsciousness utterance whole words Wordsworth