Poetics: An Essay on PoetrySmith, Elder, and Company, 1969 - 294 pagina's |
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Pagina 122
... imitative . The Epic and the Lyric can be said to imitate only in so far as they can be said to dramatise . All dramatic art , then , is imitative , and all imitative art is dramatic . This definition is of such importance to a right ...
... imitative . The Epic and the Lyric can be said to imitate only in so far as they can be said to dramatise . All dramatic art , then , is imitative , and all imitative art is dramatic . This definition is of such importance to a right ...
Pagina 130
... imitative touches , brings forward , and dwells upon , and presses home the idea of locality . And thus also , remembering how little statuary has to do with place , it is shown that when the romantic drama is called picturesque , and ...
... imitative touches , brings forward , and dwells upon , and presses home the idea of locality . And thus also , remembering how little statuary has to do with place , it is shown that when the romantic drama is called picturesque , and ...
Pagina 281
... imitative , narrative , and lyrical , the present objection is applicable , and is applied , only to the second . Imitative or dramatic art is no- thing if not true , since an imitation , ceasing to be true , ceases to imitate ; and ...
... imitative , narrative , and lyrical , the present objection is applicable , and is applied , only to the second . Imitative or dramatic art is no- thing if not true , since an imitation , ceasing to be true , ceases to imitate ; and ...
Inhoudsopgave
Page | 14 |
The Law of Unconsciousness | 27 |
The Law of Imagination | 45 |
Copyright | |
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action activity Æneid Aristotle artist Bacon beautiful believe belongs Bishop Butler blank verse called chiefly Christian classical Clement of Rome commonly comparison conscience critics Divine doctrine doubt drama dramatic art dramatist Dugald Stewart effect endeavour English epic Euripides Euroclydon expression fact faculty faith former Freedom give Greek happiness heart heaven Homer human idea Iliad imagery imagination imitative Immortality influence instinct Jeremy Collier kinds of poesy language latter law of poetry least less look lyrical manner means metaphor metre mind modern narrative nature never object perhaps philosopher pleasure plurality poem poet poetic feeling present prose reality reason regard remarkable rhyme romantic self-consciousness sense Shakespere shown simile simply Sir Philip Sidney song Sophocles soul speak spirit stanza tell theory things Thomas à Kempis thought tion true truly truth uncon unconsciousness utterance whole words Wordsworth