Poetics: An Essay on PoetrySmith, Elder, and Company, 1969 - 294 pagina's |
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Pagina 200
... Simile and Metaphor . Here , again , the distinction is good , and is not good . In a general way , and so long as we are dealing with extreme instances of simile and of metaphor , it works well ; but when we apply it to doubtful ...
... Simile and Metaphor . Here , again , the distinction is good , and is not good . In a general way , and so long as we are dealing with extreme instances of simile and of metaphor , it works well ; but when we apply it to doubtful ...
Pagina 211
... simile to what he himself is , or the thing which he is going to act . " When he says that this is frequently met with in tragedies , he must be understood to mean such as date after the Restora- tion . Dryden in his later years could ...
... simile to what he himself is , or the thing which he is going to act . " When he says that this is frequently met with in tragedies , he must be understood to mean such as date after the Restora- tion . Dryden in his later years could ...
Pagina 214
... simile merely as an embellishment , and not as a necessary mode of illustration . If the obser- vations already hazarded on the use of simile weigh at all with the reader , they will have prepared him to un- derstand how simile is ...
... simile merely as an embellishment , and not as a necessary mode of illustration . If the obser- vations already hazarded on the use of simile weigh at all with the reader , they will have prepared him to un- derstand how simile is ...
Inhoudsopgave
Page | 14 |
The Law of Unconsciousness | 27 |
The Law of Imagination | 45 |
Copyright | |
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action activity Æneid Aristotle artist Bacon beautiful believe belongs Bishop Butler blank verse called chiefly Christian classical Clement of Rome commonly comparison conscience critics Divine doctrine doubt drama dramatic art dramatist Dugald Stewart effect endeavour English epic Euripides Euroclydon expression fact faculty faith former Freedom give Greek happiness heart heaven Homer human idea Iliad imagery imagination imitative Immortality influence instinct Jeremy Collier kinds of poesy language latter law of poetry least less look lyrical manner means metaphor metre mind modern narrative nature never object perhaps philosopher pleasure plurality poem poet poetic feeling present prose reality reason regard remarkable rhyme romantic self-consciousness sense Shakespere shown simile simply Sir Philip Sidney song Sophocles soul speak spirit stanza tell theory things Thomas à Kempis thought tion true truly truth uncon unconsciousness utterance whole words Wordsworth