Notes on the Cuff & Other StoriesArdis, 1991 - 223 pagina's The stories collected here represent a sampling of the prose that first established Bulgakov as a major figure in the literary renaissance of Moscow in the 1920s, long before he became known as an influential playwright and novelist. The centerpiece of this collection is the long story "Notes on the Cuff", a comically autobiographical account of how the tenacious young writer managed to begin his literary career despite famine, typhus, civil war, the wrong political affiliation, and the Byzantine Moscow bureaucracy. This stylistically brilliant work was only partially published during Bulgakov's lifetime due to censorship, but was immediately recognized by the literati as an important work. The other stories collected here range from a sequence about the Civil War to Bulgakov's early reportage on the rebuilding of Moscow in the early 1920s, stories which now have a strikingly contemporary ring. Bulgakov describes the swindlers who arrived along with NEP, a program for the limited return to a market economy, as well as the vast reconstruction as the city is brought back from the destruction of civil war. Bulgakov, who burst on the world literary scene in the 1960s with the publication of his long-suppressed The Master and Margarita, has continued to enjoy tremendous success both in and out of Russia where productions of his plays and adaptations of his prose works have found new audiences. |
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Pagina 54
... course ... of course ... For a long time now it has seemed that everything around me is a mirage . A shimmering mirage . There , where yesterday ... Although , what the devil , why 54 MIKHAIL BULGAKOV.
... course ... of course ... For a long time now it has seemed that everything around me is a mirage . A shimmering mirage . There , where yesterday ... Although , what the devil , why 54 MIKHAIL BULGAKOV.
Pagina 58
... course it ex- isted . After all , I can remember both the date and my name . They must have moved it ... Well , that just means I have to find it . Now , what did that woman sit- ting next to her say ? On Volkhonka ... Oh , nonsense ...
... course it ex- isted . After all , I can remember both the date and my name . They must have moved it ... Well , that just means I have to find it . Now , what did that woman sit- ting next to her say ? On Volkhonka ... Oh , nonsense ...
Pagina 111
... course . I'm sure they've already broken out of Slobodka . Listen : as soon as they chase them out , where will they go ? To the city , of course , across the bridge . When they cross through the city , then Night of the Third 111.
... course . I'm sure they've already broken out of Slobodka . Listen : as soon as they chase them out , where will they go ? To the city , of course , across the bridge . When they cross through the city , then Night of the Third 111.
Inhoudsopgave
Red Stone Moscow | 121 |
The Capital in a Notebook | 129 |
Moscow City of Churches | 155 |
Copyright | |
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answered asked babushkas beard began Berdyansk blue Bolsheviks boots bridge building Bulgakov burn cabman church cigarette coat comrades Cuff Curzon dark Doctor Bakaleinikov door entryway everything eyes face feuilleton flashed Genzulaev glass going gray haidamaks hand happened head heart host Ingush jacket Kiev Knut Hamsun Kolka Kolya Komarov Les Huguenots Lev Tolstoy light Lito live looked Meyerhold Moscow Nepman night Notes old babushkas pale Petliura play poet pounds Pushkin rush Russian Shabolovka Street sitting Slobodka slogans Slyozkin smiled smoke snow soldiers someone Soviet stopped story streetcar tailcoat Teatralnaya Square theater There's thing Tiflis took turned Tverskaya Street Tverskoi Boulevard typhus Ukrainian Varvara Afanasievna Vasilisa Vladikavkaz voice walked wall wearing wife woman word write wrote young lady Yury Leonidovich Zinaida Ivanovna