Dada: Zurich, Berlin, Hannover, Cologne, New York, ParisLeah Dickerman, Brigid Doherty, Centre Georges Pompidou, National Gallery of Art (U.S.), Museum of Modern Art (New York, N.Y.) National Gallery of Art, 2005 - 519 pagina's Along with Russian Constructivism and Surrealism, Dada stands as one of the three most significant movements of the historical avant garde. Born in the heart of Europe in the midst of World War I, Dada displayed a raucous skepticism about accepted values. Its embrace of new materials, of collage and assemblage techniques, of the designation of manufactured objects as art objects as well as its interest in performance, sound poetry and manifestos fundamentally shaped the terms of modern art practice and created an abiding legacy for postwar art. Yet, while the word Dada has common currency, few know much about Dada art itself. In contrast to other key avant-garde movements, there has never been a major American exhibition that explores Dada specifically in broad view. Dada--the catalogue to the exhibition on view in 2006 at the National Gallery of Art in Washington and The Museum of Modern Art in New York presents the hybrid forms of Dada art through an examination of city centers where Dada emerged: Zurich, Berlin, Cologne, Hanover, New York and Paris. Covered here are works by some 40 artists made in the period from circa 1916, when the Cabaret Voltaire was founded in Zurich, to 1926, by which time most of the Dada groups had dispersed or significantly transformed. The city sections bring together painting, sculpture, photography, collage, photomontage, prints and graphic work. Relying on dynamic design and vivid documentary images, Dada takes us through these six cities via topical essays and extensive plate sections; an illustrated chronology of the movement; witty chronicles of events in each city center; a selected bibliography; and biographies of each artist--accompanied by Dada-era photographs. |
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Pagina 285
... Schamberg had considered making paint- ings of modern mechanical appliances since 1912 and had completed a painting of a telephone by 1915.31 Schamberg's subsequent work utilized the iconic , symmetrical format of Picabia's Machine with ...
... Schamberg had considered making paint- ings of modern mechanical appliances since 1912 and had completed a painting of a telephone by 1915.31 Schamberg's subsequent work utilized the iconic , symmetrical format of Picabia's Machine with ...
Pagina 289
... Schamberg's machin- ist paintings of the time , thus confirming his active partici- pation in the making of God . Indeed , Walter Arensberg , 50 Duchamp , 51 and the artist's surviving relatives all remem- bered Schamberg's role in the ...
... Schamberg's machin- ist paintings of the time , thus confirming his active partici- pation in the making of God . Indeed , Walter Arensberg , 50 Duchamp , 51 and the artist's surviving relatives all remem- bered Schamberg's role in the ...
Pagina 483
... Schamberg with past art . Over the next sev- eral years , Schamberg would return to Europe repeatedly , living and working in Paris from 1906 to 1907 and traveling with his friend and former classmate Charles Sheeler in France and Italy ...
... Schamberg with past art . Over the next sev- eral years , Schamberg would return to Europe repeatedly , living and working in Paris from 1906 to 1907 and traveling with his friend and former classmate Charles Sheeler in France and Italy ...
Overige edities - Alles bekijken
Dada: Zurich, Berlin, Hannover, Cologne, New York, Paris Leah Dickerman,Brigid Doherty Geen voorbeeld beschikbaar - 2005 |
Veelvoorkomende woorden en zinsdelen
abstract André Breton Angelika Anna Blume April Aragon Arensberg Artists Rights Society assemblage audience avant-garde Baargeld Berlin Dada Cabaret Voltaire Centre Pompidou Christian Schad collage Cologne culture Dada Dada Fair Dada's dadaists Doesburg Eluard exhibition expressionist February film Francis Picabia French Gallery of Art George Grosz German gouache Hannah Höch Hannover Hans Arp Herzfelde Hoerle Hugo Ball images International Dada issue January Jean Crotti John Heartfield journal Kunst Kurt Schwitters later Lissitzky Littérature machine manifesto Marcel Duchamp Marcel Janco Max Ernst Merz Merzbau Modern Art montage movement Munich Musée national d'art Museum of Art Museum of Modern November Otto painting paper Paris Dada Paul photograph photomontage poem poet poetry political portrait Private collection published Raoul Hausmann readymade Ribemont-Dessaignes Richard Huelsenbeck Richter Schamberg Schlichter sculpture Serner soirée Sophie Taeuber Soupault Sturm tion trans Tristan Tzara Untitled Walter Weimar World York Dada