Dada: Zurich, Berlin, Hannover, Cologne, New York, ParisLeah Dickerman, Brigid Doherty, Centre Georges Pompidou, National Gallery of Art (U.S.), Museum of Modern Art (New York, N.Y.) National Gallery of Art, 2005 - 519 pagina's Along with Russian Constructivism and Surrealism, Dada stands as one of the three most significant movements of the historical avant garde. Born in the heart of Europe in the midst of World War I, Dada displayed a raucous skepticism about accepted values. Its embrace of new materials, of collage and assemblage techniques, of the designation of manufactured objects as art objects as well as its interest in performance, sound poetry and manifestos fundamentally shaped the terms of modern art practice and created an abiding legacy for postwar art. Yet, while the word Dada has common currency, few know much about Dada art itself. In contrast to other key avant-garde movements, there has never been a major American exhibition that explores Dada specifically in broad view. Dada--the catalogue to the exhibition on view in 2006 at the National Gallery of Art in Washington and The Museum of Modern Art in New York presents the hybrid forms of Dada art through an examination of city centers where Dada emerged: Zurich, Berlin, Cologne, Hanover, New York and Paris. Covered here are works by some 40 artists made in the period from circa 1916, when the Cabaret Voltaire was founded in Zurich, to 1926, by which time most of the Dada groups had dispersed or significantly transformed. The city sections bring together painting, sculpture, photography, collage, photomontage, prints and graphic work. Relying on dynamic design and vivid documentary images, Dada takes us through these six cities via topical essays and extensive plate sections; an illustrated chronology of the movement; witty chronicles of events in each city center; a selected bibliography; and biographies of each artist--accompanied by Dada-era photographs. |
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Pagina 90
... photomontage , the medium in which Berlin Dada's most significant contributions to modern art were made . Given the importance of photomontage to Berlin Dada , it is worth considering what the dadaists had to say about how they came to ...
... photomontage , the medium in which Berlin Dada's most significant contributions to modern art were made . Given the importance of photomontage to Berlin Dada , it is worth considering what the dadaists had to say about how they came to ...
Pagina 93
... photomontage , and both suggest that the impetus for those experiments was a conceptual shift in their understanding of what a picture could be . However , Höch presents Dada photomontage as an " expansion " upon an " idea of working ...
... photomontage , and both suggest that the impetus for those experiments was a conceptual shift in their understanding of what a picture could be . However , Höch presents Dada photomontage as an " expansion " upon an " idea of working ...
Pagina 94
... photomontage " that he insisted " only seemed to contra- dict " the one that had been published by Grosz in 1928. In a transcript of the interview , Heartfield speaks of " works " that he " made along with other people " as having ...
... photomontage " that he insisted " only seemed to contra- dict " the one that had been published by Grosz in 1928. In a transcript of the interview , Heartfield speaks of " works " that he " made along with other people " as having ...
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Dada: Zurich, Berlin, Hannover, Cologne, New York, Paris Leah Dickerman,Brigid Doherty Geen voorbeeld beschikbaar - 2005 |
Veelvoorkomende woorden en zinsdelen
abstract André Breton Anna Blume April Aragon Arensberg Arp's artists assemblage audience avant Dada avant-garde Baargeld Ball's Berlin Dada Berlin dadaists Cabaret Voltaire Centre Pompidou Christian Schad Cologne création industrielle Crotti culture d'art moderne Dada Dada Painters Dada's dadaists Doesburg Eluard exhibition expressionist Francis Picabia Gallery of Art George Grosz German gouache Hannah Höch Hannover Hans Arp Herzfelde Hoerle Hugo Ball Johannes Baader John Heartfield journal Kunst Kurt Schwitters Lissitzky machine manifesto Marcel Duchamp Marcel Janco Max Ernst Merz Merzbau Modern Art moderne-Centre de création movement Munich Musée national d'art Museum of Art Museum of Modern national d'art moderne-Centre National Gallery Otto Painters and Poets paper photograph photomontage poem poetry political portrait Private collection published Raoul Hausmann readymade Ribemont-Dessaignes Richard Huelsenbeck Richter Schlichter Scholz sculpture Serner soirée Sophie Taeuber Soupault Sturm tion trans Tristan Tzara Weimar World York Dada