“Ho! can ye stay the rivers, Or bind the wings of light; Or bring back to the morning The old departed night? “Nor shall ye check my impulse, Nor stay it for an hour, Until earth's groaning millions Have felt my healing power.” That spirit is Progression, In the vigour of its youth; The foeman of Oppression, And its armour is the TRUTI. Old Error, with its legions, Must fall beneath its wrath; Nor blood, nor tears, nor anguish, Will mark its brilliant path. But onward, upward, heavenward, The spirit still will soar, 'Till peace and love shall triumph, And falsehood reign no more. SUNSET. Full tenderly and softly fades away Another leaf is from our Life-tree shaken- What hopes are gathered to their graves to-night- Another leaf is from our Life-tree shaken- How bright, how soft, the deeply-mantling clouds, Another leaf is from our Life-tree shaken- A heavenly thing can dying there be made; With retinue and with regalia bright Another leaf is from our Life-tree shaken: - Ye vanished moments! ye are gone with all Another leaf is from our Life-tree shaken- In worlds afar, say, shall your trumpet-voice Another leaf is from our Life-tree shaken Another step Eternity hath taken. Another leaf is from our Life-tree shaken, Another step Eternity hath taken. Another leaf is from our Life-tree shaken- LOVE, THE ARTIST. “ Art, unto my longing eyes," I said, “her charms for ever give; In that sweet life that never dies For ever let her beauty live." And Art his eager pencil plied To paint her charms, all charms above : But soon “In vain I strive," he cried; “Oh who can paint her—who but Love ?" I turned to Fancy—“ To my sight," I murmured, “ from the glowing air Oh let her gaze my soul delight, As if she breathed before me there !" At Fancy's call her image came Oh not her charms, all charms above ! Poor Fancy's cry was but the same “Oh who can paint her--who but Love ?" Then mighty Love, with laughing joy, The pencil seized with wild delight, And ere I well could mark the boy, She laughed in life before my sight! Oh who like him such brows could draw, Such dark, deep eyes, all eyes aboveLike him could paint the charms I saw ? Oh who can paint her—who but Love? MENTAL IMPRESSIONS INDELIBLE. SAID Hannah More to a female friend, who was watching by her dying bed, “I love you fervently, and it will be pleasant to you twenty years hence to remember that I told you so in my last moments.” This was a tender and touching remark. But for aught we can know to the contrary, the venerable woman might have spoken to her sympathizing companion of twenty centuries to come with the same propriety as of twenty years. That faculty of the mind which we call memory, and by which the ideas of past objects are so retained as never to lose their impressions, is one of the noblest of human endowments. Without the ability of thus keeping what we gain, and using acquisitions already made as helps to further acquisitions, there could scarcely be any such thing as mental improvement. This is the basis of all education, the ground-work of all real progress. What we need is the power of treasuring up facts, reasonings, and conclusions once possessed, as a means of further advancement, and a nucleus around which other accumulations shall gather. Were it not for the existence of such a faculty, the effort to gain knowledge would be as fruitless as pouring water into a sieve. It is not pretended that memory has any such power |