In The Break: The Aesthetics Of The Black Radical TraditionU of Minnesota Press, 9 apr 2003 - 332 pagina's Investigates the connections between jazz, sexual identity, and radical black politics Stylistically brilliant and challenging, much like the music he writes about, Moten’s wide-ranging discussion embraces a variety of disciplines—semiotics, deconstruction, genre theory, social history, and psychoanalysis—to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten’s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition |
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... ongoing irruption that anarranges every line—is a strain that pressures the assumption of the equivalence of personhood and subjectivity. While subjectivity is defined by the subject's possession of itself and its objects, it is ...
... ongoing (re)production of that performance in all its guises and for a critical awareness of how each of those guises is always already present in and disruptive of the supposed originarity of that primal scene. What are the politics of ...
... ongoing repression of the primal scene of subjection that one wants to guard against and linger in. Douglass passes on a repression that Hartman's critical suppression extends. Such transfer demands that one ask if every recitation is a ...
... ongoing line of discovery, of coming upon, of invention. The discovery of the chemical substance that is produced in and by Marx's counterfactual is the achievement of Douglass's line given in and as the theory and practice of everyday ...
... ongoing event that anticipates it, the real event of the commodity's speech, itself broken by the irreducible materiality—the broken and irreducible maternity—of the commodity's scream. Imagine a recording of the (real) example that ...
Inhoudsopgave
The Sentimental AvantGarde | |
In the Break | |
Visible Music | |
Adrian Pipers Theatricality | |
Notes | |
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In the Break: The Aesthetics of the Black Radical Tradition Fred Moten Geen voorbeeld beschikbaar - 2003 |