contend with, as in the telescope. His observation taught him, that, in the eye, the evil was cured by combining together lenses composed of different substances, i. e. of substances which possessed different refracting powers. Our artist borrowed from thence his hint; and produced a correction of the defect by imitating, in glasses made from different materials, the effects of the different humours through which the rays of light pass before they reach the bottom of the eye. Could this be in the eye without purpose, which suggested to the optician the only effectual means of attaining that purpose?

But further; there are other points, not so much perhaps of strict resemblance between the two, as of superiority of the eye over the telescope; yet, of a superiority, which being founded in the laws that regulate both, may furnish topics of fair and just comparison. Two things were wanted to the eye, which were not wanted, at least in the fame degree, to the telescope; and these were, the adaptation of the organ, first, to different degrees of light; and, secondly, to the vast diversity of distance at which objects are viewed by the naked eye, viz. from a few inches to as many miles. These difficulties present not themselves to the maker of the telescope. He wants all the light he can get; and he never directs his instrument to objects near at hand. In the eye, both these cases were to be provided for; and for the purpose of providing for them a subtile and appropriate mechanism is introduced.

I. In order to exclude excess of light, when it is excessive, and to render objects visible under obscurer degrees of it, when no more can be had; the hole or aperture in the eye, through which the light enters, is so formed, as to contract or dilate itself for the purpose of admitting a greater or less number of rays at the fame time. The chamber of the eye is a camera obscura, which, when the light is too sinall,can enlarge its opening; when too strong, can again contract it; and that without any other assistance than that of its own exquisite machinery. It is further also, in the human subject, to be observed, that this hole in the eye, which we call the pupil, under all its difserent dimensions, retains its exact circular shape. This is a structure extremely artificial. Let an artist only try to execute the fame. He will find that his threads and strings must be

disposed disposed with great consideration and contrivance, to make a circle, which shall continually change its diameter, yet preserve its form. This is done in the eye by an application of fibres, i. e. of strings, similar, in their position and action, to what an artist would and must employ, if he had the fame piece of workmanship to perform.

II. The second difficulty which has been stated, was the suiting of the fame organ to the perception of objects that lie near at hand, within a few inches, we will suppose, of the . eye, and of objects which were placed at a considerable distance from it, that, for example, of as many furlongs (I speak in both cases of the distance at which distinct vision can be exercised). Now, this, according to the principles of optics, that is, according to the laws by which the transmission of light is regulated, (and these laws are fixed,) could not be done, without the organ itself undergoing an alteration, and receiving an adjustment, that might correspond with the exigency of the case, that is to fay, with the different inclination to one another under which the rays of light reached it. Rays issuing from points placed at a small distance from the eye, and which consequently

must must enter the eye in a spreading or diverging order, cannot, by the fame optical instrument in the fame state, be brought to a point, i. e. be made to form an image, in the fame place with rays proceeding from objects situated at a much greater distance, and which rays arrive at the eye in directions nearly, and physically speaking, parallel. It requires a rounder lense to do it. The point of concourse behind the lense must fall critically upon the retina, or the vision is confused; yet, this point, by the immutable properties of light, is carried further back, when the rays proceed from a near object, than when they are sent from one that is remote. A person, who was using an optical instrument, would manage this matter by changing, as the occasion required, his lense or his telescope; or by adjusting the distance of his glasses with his hand or his screw: but how is it to be managed in the eye? What the alteration was, or in what part of the eye it took place, or by what means it was effected (for, if the known laws which govern the refraction of light be maintained, some alteration in the state of the organ there must be), had long formed a subject of enquiry and conjecture. The change, though

sufficient sufficient for the purpose, is so minute as to elude ordinary observation. Some very late discoveries, deduced from a laborious and most accurate inspection of the structure and operation of the organ, seem at length to have ascertained the mechanical alteration which the parts of the eye undergo. It is found, that by the action of certain muscles, called the straight muscles, and which action is the most advantageous that could be imagined for the purpose,—it is found, I fay, that, whenever the eye is directed to a near object, three changes are produced in it at the fame time, all severally contributing to the adjustment required. The cornea, or outermost coat of the eye, is rendered more round and prominent; the crystalline lenses underneath is pushed forwards; and the axis of vision, as the depth of the eye is called, is elongated. These changes in the eye vary its power over the rays of light in such a manner and degree as to produce exactly the effect which is wanted, viz. the formation of an image upon the retina, whether the rays come to the eye in a state of divergency, which is the case when the object is near to the eye, or come parallel to one another, which is the case when the object is placed at a


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